[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

ABSE, Dannie (Printer)

JONES, Jonah (Printer)

Western Illinois Univeristy (Printer)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 13317

Creu/Cynhyrchu

Western Illinois Univeristy

Rôl: Poet

Rôl: Calligrapher

Rôl: Printer

Cyfnod: 1984

Derbyniad

Gift, 17/7/1985

Mesuriadau

Uchder (cm): 76.2

Lled (cm): 56.8

Uchder (in): 30

Lled (in): 22

Techneg

Screen-printed

Decoration

Applied Art

Deunydd

Ink

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: HURN David

(1993)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: SUSCHITZKY, Wolfgang

(1950s)

© Wolfgang Suschitzky/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Photo shot: Garden, Tythegston, 18th June 2002. Place and date of birth: Rugby 1960. Main occupation: Potter. First language: English. Other languages: French. Lived in Wales: 5 years.</p> <p>Joanna Howells works from her pottery in Tythegston, on the South Wales coast, creating beautiful ceramics. After reading Medicine at Cambridge, she went to the Sir John Cass School of Art London, then took a ceramics course at Harrow Art College, rekindling her youthful interest in the art form. Her work focuses on form and texture, and is influenced by the rugged and windswept coastline on which she lives. Joanna was born in Rugby and moved to south Wales five years ago.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Cwch bychan wedi'i blygu o frwynen a fawr mwy na gewin bys. Yn blentyn yn ngogledd Cymru fe ddysgodd Bethan Huws gan ei thad sut i greu'r ffirbiau bychan bach yma. Iddi hi, nid y cwch ei hun ond y broses o greu sy'n llywio'r gwaith - cyswllt â natur a lle, amser ac atgof.</p>

HUWS, Bethan

(1983-2000)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>

Photographer: DAVIDSON, Bruce

(1958)

© Bruce Davidson / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Yn 2008 daeth Michal Iwanowski, yr artist a aned yng Ngwlad Pwyl ac yn byw yng Nghaerdydd, ar draws graffiti ger ei gartref yn dweud 'Go Home, Polish'. Ddeng mlynedd yn ddiweddarach, yng nghanol cefndir Brexit ac Ewrop ranedig, ymgymerodd â thaith anhygoel dros 1900km ar droed rhwng Cymru a'i bentref genedigol, Mokrzeszów yng Ngwlad Pwyl. Ei nod oedd archwilio a deall y syniad o 'gartref'. Cymerodd y daith 105 diwrnod i'w chwblhau, a thrwy hynny fe bostiodd ddyddiadur o'i brofiadau a'i gyfarfyddiadau ar Instagram.</p>

IWANOWSKI, Michal

(2018)

© Michal Iwanowski/Amgueddfa Cymru

Amgueddfa Cymru

Serra Pelada (Dyn yn erbyn Postyn). O'r gyfres 'Workers'

Photographer: SALGADO Sebastiao

(1986)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Bridget Riley yw un o ffigyrau amlycaf celf Brydeinig yn y cyfnod ers y Rhyfel. Yn sicr, hi yw ein harlunydd haniaethol enwocaf. Astudiodd yng Ngholeg Goldsmiths' ac yn y Coleg Celfyddyd Brenhinol, a daeth i'r amlwg yn sgîl ei lluniau 'Opgelfyddyd' haniaethol du a gwyn, caledlin. Dechreuodd ddefnyddio lliw yn y 1960au diweddar, ac mae 'palet Eifftaidd' y llun hwn yn adlewyrchu lliwiau llachar paentiadau o feddrodau'r Aifft a welodd yr arlunydd ym 1979. Cyfeiria'r teitl at dalaith o'r un enw yn Irac, a oedd yn ganolfan draddodiadol i'r fasnach sidan. Roedd gweithiau o'r fath yn gychwynbwynt i'r arlunydd archwilio dyfnder - pwnc a fu o ddiddordeb cynyddol iddi yn ystod diwedd y 1980au a dechrau'r 1990au.</p>

RILEY, Bridget

(1984)

Amgueddfa Cymru

Photographer: HURN David

(1974)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: WYLIE Donovan

(Unknown)

© Donovan Wylie / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1984)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1976)

© David Hurn / Magnum Photos / Amgueddfa Cymru