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Astudiaeth o Ben

BURNE-JONES, Sir Edward
Astudiaeth o Ben
Delwedd: Trwy ganiatâd Amgueddfa Cymru
 Chwyddo

Astudiaeth yw hon o un o'r cantorion yng nghefndir un o baentiadau enwocaf Edward Burne-Jones, 'King Cophetua and the Beggar Maid' (1884, Tate). Dechreuwyd cynllunio'r paentiad yng nghanol y 1870au a treuliodd Burne-Jones nifer o flynyddoedd yn perffeithio'r cyfansoddiad mewn cyfres o ddarluniau a lluniau dyfrlliw. Gwnaed mwyafrif y gwaith ar y paentiad terfynol ym 1883 a dechrau 1884 cyn cwblhau ac arddangos y gwaith yn Oriel Grosvenor, Llundain yng ngwanwyn 1884.

Mwy na thebyg taw'r gantores Jessie Keene (g.1872) yw'r model ar gyfer y darlun, neu o bosibl ei chware hŷn Laura (g.1867/8), fu hefyd yn modelu i'r artist James McNeill Whistler yn y 1880au. Roedd eu mam, Annie, yn modelu'n gyson i Burne-Jones, a gellir ei gweld mae'n debyg mewn gweithiau fel 'The Golden Stairs' (1880, Tate). Daeth chwaer arall, Bessie (g.1878/9), yn un o'i hoff fodelau yn y man a gellir ei gweld hi mewn gweithiau fel 'Vespertina Quies' (1893, Tate) a 'Love Among the Ruins '(1894, Maenordy Wightwick, Yr Ymddiriedolaeth Genedlaethol).


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 244

Historical Associations

Association Type: Provenance
Associated Person/Body: Webb, Matthew
Association Type: Private collector
Associated Person/Body: Turner House
Association Type: Museum

Creu/Cynhyrchu

BURNE-JONES, Sir Edward
1833-1898
Rôl: Artist

Derbyniad

Transfer, 1921

Mesuriadau

Uchder (cm): 35.5
Lled (cm): 25.6
Uchder (in): 14
Lled (in): 10

Techneg

Oil on wooden panel
Techniques (fine art)
Art dept - fine
Fine Art - painting

Deunydd

Oil
Wood panel

Lleoliad

In store
Mwy

Tags


  • Celf Gain
  • Cyn-Raffaeliaeth
  • Paentiad

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
PACKER Sue
© Sue Packer/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SICKERT, Walter Richard
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: WAITE Charlie
(1992)
© Charlie Waite/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
FABRY, Emile
(1917)
© Emile Fabry/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: RICHARDS, Eugene
(1993)
© Richards Eugene/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SUSCHITZKY, Wolfgang
(1950s)
© Wolfgang Suschitzky/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PHILLIPS, Tom
© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1977)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: ERWITT Elliott
(2016)
© Elliott Erwitt / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EDWARDS, Malcolm
(20th century - (second half))
© Malcolm Edwards/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SUSCHITZKY, Wolfgang
(1950s)
© Wolfgang Suschitzky/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Yasuda, Takeshi
(1999)
Amgueddfa Cymru
[No title]
BATES, Trevor
© Trevor Bates/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WILLIAMS, Kyffin
© Llyfrgell Genedlaethol Cymru / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SEE-PAYNTON, Colin
(1991)
© Colin See-Paynton/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1975)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: CHAPMAN, Chris
(2002)
© Chris Chapman/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: KUBOTA Hiroji
(1981)
© Hiroji Kubota / Magnum Photos / Amgueddfa Cymru

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