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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
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Amdanom Ni Cysylltwch â ni
En
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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

JONES, Thomas
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 88

Historical Associations

Association Type: Provenance
Associated Person/Body: Dale, Captain John
Association Type: Owner
Date: 1778 ca
Association Type: Descendant
Associated Person/Body: Sotheby's (London)
Association Type: Auction House
Date: 1975
Associated Person/Body: Christie's
Association Type: Auction House
Date: 1982
Associated Person/Body: Evan-Thomas, Mrs Jane
Association Type: Owner
Date: 1985
Associated Person/Body: National Museum of Wales
Association Type: Museum
Date: 1985

Creu/Cynhyrchu

JONES, Thomas
1742-1803 Thomas Jones, a pupil of Richard Wilson, came from a wealthy landowning family in Radnorshire. During his lifetime he was known as a painter of landscapes and history paintings in the style of his master, but today he is better known for his oil sketches of Italy and Wales. Daeth Thomas Jones, oedd yn un o ddisgyblion Richard Wilson, o deulu o dirfeddiannwyr cyfoethog yn Sir Faesyfed. Yn ystod ei fywyd cafodd ei adnabod fel peintiwr tirluniau a pheintiadau hanesyddol yn null ei feistr, ond heddiw mae’n fwy adnabyddus am ei frasluniau olew o’r Eidal a Chymru
Rôl: Artist
Cyfnod: 1778

Derbyniad

Gift, 8/1985

Mesuriadau

Uchder (cm): 27.5
Lled (cm): 31.5
Uchder (in): 10
Lled (in): 12

Techneg

Oil on paper
Techniques (fine art)
Art dept - fine
Fine Art - painting

Deunydd

Oil
Paper

Lleoliad

In store
Mwy

Tags

  • Celf Gain
  • Cysylltiad Cymreig
  • Paentiad

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
GREEN, Peter
(1960)
© Peter Green/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PIPER, John
© Ystâd Piper/DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MORSE BROWN, Sam
(1937)
© Sam Morse Brown/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BUTTNER, Andrea
(2006)
© Andrea Buttner/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2014)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1943)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: POWER Mark
(2015)
© Mark Power / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EVANS, Merlyn
(1939)
© Merlyn Oliver Evans/Amgueddfa Cymru
Amgueddfa Cymru
Bowl
Producer: Rie, Lucie
(1980s)
© Ystâd the Ystâd yr artist/Ymddiriedolaeth Derek Williams/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Bottle with disc tip</p>
Producer: Coper, Hans
(1960-1970)
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2015)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ORTON, Kathryn
(2007)
© Kathryn Orton/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2003)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
(1900-1910)
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
(1900-1910)
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1967)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru

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