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Puzzle jug

Cambrian Pottery (Decorator)
Young, William Weston (Decorator)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Puzzle jug, ovoid body, pierced cylindrical neck with applied pipe and three nozzles, enamelled in sepia with three women in a landscape.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A(L) 1975

Creu/Cynhyrchu

Cambrian Pottery
Established in Swansea in 1764, the Cambrian Pottery reached its creative peak under the proprietorship of Lewis Weston Dillwyn (1778-1855), who ran the Pottery (with a break between 1817 and 1824) from 1802 to 1836. Lewis Weston Dillwyn was a natural scientist, antiquarian, Member of Parliament, magistrate and landowner whose intellectual interests drove the Cambrian Pottery to become one of the most ambitious and artistically accomplished British potteries of the early 19th century. While the porcelain manufactured in Swansea between 1814 and 1825 justifies its reputation as among the finest of British porcelains, the pottery produced under Dillwyn’s ownership between 1802 and about 1809 was at its best an equally impressive achievement, most particularly that made for sale in the Pottery’s Cambrian Warehouse in London 1806-1808, the context for which this supper service was most likely created.
Young, William Weston
William Weston Young (1776-1847), cousin of the physician, physicist and Egyptologist Thomas Young, pursued a varied career not only as an entrepreneur, surveyor and botanist but also as an artist. Between 1803 and 1806 he was employed by Lewis Weston Dillwyn as a draughtsman for his scientific publications, but he also worked as a painter at the Cambrian Pottery. His painting on ceramics is distinguished by its precise detailed manner and by the intellectual interests it demonstrates, whether cultural (such as bards and druids) or scientific (such as birds, butterflies and animals).
Rôl: Production
Rôl: Pottery
Rôl: Production
Rôl: Decorator
Lle: Swansea
Cyfnod: 1803-1806

Mesuriadau

Uchder (cm): 18.5

Deunydd

Pearlware

Lleoliad

In store
Mwy

Tags


  • Celf Gymhwysol
  • Celf Gymhwysol
  • Celf Gymhwysol Ar Fenthyg
  • Cerameg
  • Priddwaith
  • Priddwaith Cymru

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
CARO, Sir Anthony
(1975)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Potter: Bohle, Thomas
(2014)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>A group of 222 small pots, porcelain, each pot cylindrical with a turned base, impressed on the side with grouped or individual rectangular marks, and glazed with one of a palette of 17 different white glazes, the whole designed to be displayed on a vertical series of shelves.</p>
Production: de Waal, Edmund
(2005)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vase
Production: Blandino, Betty
(1990-2000)
Amgueddfa Cymru
<p>Figure, humanoid/anthropomorphic female form, white soft-paste porcelain with a clear glaze, some areas unglazed, hand-modelled and standing on four squat legs, undulating lower body rising to sloping shoulders, the form is overall of a undulating conical shape, simple stylised face with pierced eyes, the arms resting by the sides of the breats and over the stomach with hands overlapping; the figure has applied grog/encrustations applied to the hairline and top of the head, flowing down the body in broad, undulating stripes, unglazed, hand-modelled flowers of varying sizes applied over the body.</p>
Production: Woodrow, Sophie
(2013)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, antelope's head with simple, elongated and rounded body and fout squat feet; draped at the shoulders with two garlands of overlapping leaves, attached over the shoulders and behind the neck with a rope or tie, the eyes are pierced.</p>
Production: Woodrow, Sophie
(2014)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Jar
Production: Bunting, Karen
(2010 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vase
Production: Fritsch, Elizabeth
(2008)
Amgueddfa Cymru
<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, the head of a fox, the body formed of a series of assymetrically placed, pointed protrusions, perhaps resembling the form of the tip of a fox's tail, standing on four slender legs; lightly incised over the body and head to give the impression of fur, the eyes pierced.</p>
Production: Woodrow, Sophie
(2014)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
<p>Hare's head, dark brown stoneware, realistically modelled, hollow with empty eyes, instead of ears two tall upright thorn branches. At the back of the head a socket underneath for mouting to a wall on an L-shaped hook [supplied with the work].</p>
Production: Howell, Catrin
(2011)
© Catrin Howell/Amgueddfa Cymru
Amgueddfa Cymru
Bowl
Production: Keeler, Walter
(2004)
© yr artist/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Vase, buff stoneware, in the form of a trimmed fennel bulb, flat base from which rise nine overlapping leaves in two clusters with gouged grooves along their length, olive-green crystalline glaze running down the inside and pooled in the bottom.</p>
Production: Malone, Kate
(2011)
Amgueddfa Cymru
<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, the head in the form of an owl, the body simple and oval in form, standing on four squat feet; applied stylised feather forms to the shoulders and around the body, the entire body is pierced with small circular piercings in an asymmetric manner, the head and neck has applied overlapping scale-like feathers, the eyes are pierced.</p>
Production: Woodrow, Sophie
(2014)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
Teapot
Production: Keeler, Walter
(1994)
© yr artist/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vessel
Production: Henderson, Ewen
(1995 ca)
Amgueddfa Cymru
Pot
Production: Ayscough, Duncan
(1996)
© Duncan Ayscough/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Bowl form with domed enclosed top, earthenware, concentric grooves covering the sides and top, the grooves painted in shades of black, grey and white, two ridges on the top and one on the side painted in red.</p>
Potter: Kim, Jin Eui
(2017)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Teapot and cover
Potter: Frith, David
(1984 ca)
Amgueddfa Cymru
Jar
Production: Caiger-Smith, Alan
(1999-2004)
© Alan Caiger-Smith/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Plate
Production: Doege, Brigitte Rosenthal
(1985-1990)

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