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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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[No title]

Paul, SANDBY,
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (2)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 25001

Creu/Cynhyrchu

Paul, SANDBY,
(1731-1809)
Rôl: Artist
Lle: North Wales
Cyfnod: 1770s

Derbyniad

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Mesuriadau

Uchder (cm): 18
Lled (cm): 26

Techneg

Bodycolour on paper
Drawings and watercolours
Fine Art - works on paper

Deunydd

Bodycolour

Lleoliad

In store
Mwy

Tags


  • Celf Gain
  • Cysylltiad Cymreig
  • Gweithiau Ar Bapur

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
WILLIAMS, Bedwyr
(2015)
© Bedwyr Williams/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
YOUNG, William Weston
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1972)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
DENT, R. Stanley
(1934)
© R. Stanley Dent/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GUTFREUND, Otto
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Visually the most Irish part of Ireland. Ireland is full of rustic charm. Nature seems always to be taking over. In this case a telegraph pole.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BARBER, C. (after) SHERLOCK, W.P.
(1812)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GLOVER, George
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOARE, Peter Richard
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SCHNEIDERMANN, Clémentine & JAMES, Charlotte
(2015)
© Clémentine Schneidermann and Charlotte James/Amgueddfa Cymru
Amgueddfa Cymru
<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>
Photographer: SCHNEIDERMANN, Clémentine
(2016)
SCHNEIDERMANN, Clémentine
© Clémentine Schneidermann/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1970s-1980s)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
YOUNG, William Weston
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
NICHOLSON, Francis
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>
SMITH, John "Warwick"
(1785)
Trwy ganiatâd Amgueddfa Cymru

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