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[No title]

STEPHENSON, Ian
[No title]
Delwedd: © Ystâd Ian Stephenson/Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 5683

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

STEPHENSON, Ian
1934-2000
Rôl: Artist
Cyfnod: 1980

Derbyniad

Purchase - ass. of Knapping Fund, 1982

Mesuriadau

h(cm) sheet size:56.0
h(cm)
w(cm) sheet size:71.2
w(cm)
h(in) sheet size:22
h(in)
w(in) sheet size:28
w(in)

Techneg

Screen-printed
Decoration
Applied Art

Deunydd

Ink
Paper

Lleoliad

In store
Mwy

Tags


  • Artistiaid Y 21Ain Ganrif
  • Celf Gain
  • Gweithiau Ar Bapur
  • Printiau

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Hanna, Ashraf
(2000-2005)
Amgueddfa Cymru
Bowl
Production: Davies, Lowri
(2011)
© Lowri Davies/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Teulu’n pysgota crancod ar y ffrynt, Conwy, Cymru
Photographer: HURN David
(1997)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
STUBBS, Annena
(1980)
Amgueddfa Cymru
<p>Gareth Edwards. Photo shot: Nottage, 3rd December 2002. Place and Date of birth: Amman Valley, 1947. Main Occupation: Director of several companies in South Wales. First language: Welsh. Other languages: English. Lived in Wales: Always.</p> <p>Born in the Amman Valley in 1947, Gareth Edwards is a rugby legend. A scrum-half, first capped for Wales aged 19, he became captain a year later, playing 53 consecutive matches during what is regarded as a golden era for the Welsh national sport. Many consider him the greatest rugby player of all time. he is now a company director, columnist and unofficial roving ambassador for Welsh rugby.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: The Sisters of Mercy are an international community of Roman Catholic women religious vowed to serve people who suffer from poverty, sickness and lack of education. They participate in the life of the surrounding community. In keeping with their mission many sisters engage in teaching, medical care, and community programs.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David
(1948)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SUSCHITZKY, Wolfgang
(1950s)
© Wolfgang Suschitzky/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SUSCHITZKY, Wolfgang
(1950s)
© Wolfgang Suschitzky/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HURN David
(1977)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Photo shot: Home, Pencader, 18th June 2002. Place and date of birth: London 1961. Main occupation: Musician. First Language: English. Other languages: Welsh. Lived in Wales: Over 20 years.</p> <p>The musician credited with single-handedly re-invigorating the Welsh folk music scene. Born in north London, she studied art and moved to Wales and learned Welsh. It was this move to Wales twenty years ago that sparked her interest in traditional music. She lives in Pencader and tours Wales with her band Fernhill, formed in 1994 with her husband Ceri Rhys Matthews, playing intimate concerts using few instruments, the most important of which is her remarkable voice. Her services as a singer have been sought by the the likes of Robert Plant and John Cale.</p>
Photographer: HURN David
(2002)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1996)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1996)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1977)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Study of hanging form on green with purple and white highlights, set against a flat scarlet ground</p>
SUTHERLAND, Graham Vivian
(1963)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru

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