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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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abstract

MALTHOUSE, Eric
<p>abstract</p>
Delwedd: © Eric Malthouse/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (2)

abstract


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 25787

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

MALTHOUSE, Eric
1914-
Rôl: Artist

Derbyniad

Gift, 1996

Mesuriadau

h(cm) frame:87.7
h(cm)
w(cm) frame:87.7
w(cm)

Techneg

Oil on canvas
Techniques (fine art)
Art dept - fine
Fine Art - painting

Deunydd

Oil
Canvas

Lleoliad

In store
Mwy

Tags


  • Celf Gain
  • Cysylltiad Cymreig
  • Haniaethol
  • Oren (Lliw)
  • Paentiad
  • Pinc

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
POYNTER, Sir Edward
(19th century (late))
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1989)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JOYCE, Paul
(1976-1977)
©Paul Joyce/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2012)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JARVIS, Gareth
(2011)
© Gareth Jarvis/Amgueddfa Cymru
Amgueddfa Cymru
Yr Athro Jan Morris
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: TAVAKOLIAN Newsha
(2015)
© Newsha Tavakolian / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1964)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Mae gennym ddyletswydd i ddiogelu ein cynulleidfa. Mae'r cofnod gwrthrych hwn yn cynnwys delweddau all beri gofid.
<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>
Photographer: HURN David
(1980)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JARVIS, Gareth
(2011)
© Gareth Jarvis/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1973)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>DAVID, GIDEON and TOBY PETERSON Photo shoot: St. Clairs, 8th December 1999</p> <p>David Peterson became interested in working with metal in his first job at a Cardiff Steelworks. Now a leading artist, blacksmith and sculptor he owns the Myfryfa Peterson Studio Partnership with sons Toby and Gideon. From the steelworks he went to art college, before working for MGM on 2001: A Space Odyssey. he returned to Wales to teach at Newport and Dyfed art colleges but now runs the studio, which produces distinctive work, much of it rooted in Welsh life. The dragon on Welsh stamps, the Bafta Cymru statuette, the statue of Llewellyn ap Gruffudd at Llandovery and the Millennium Beacon are just some of their achievements.</p> <p>DAVID PETERSON Place and date of birth: Cardiff 1944 Main Occupation: Artist / Blacksmith First Language: English Other languages: French Lived in Wales: Always</p> <p>GIDEON PETERSON Place and date of birth: Newport 1971 Main Occupation: Artist / blacksmith First language: English Other languages: None Lived in Wales: Always</p> <p>TOBY PETERSON Place and date of birth: London 1966 Main occupation: Designer / metalsmith First language: English Other languages: Learning Welsh Lived in Wales: Always.</p>
Photographer: HURN David
(1999)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MATTHEWS, Doris
(1920-1930)
© Doris Matthews/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MATTHEWS, Doris
(1920-1930)
© Doris Matthews/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ROOKE, Thomas Matthew
(19th century)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SUSCHITZKY, Wolfgang
(1950s)
© Wolfgang Suschitzky/Amgueddfa Cymru

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