female in blue dress, left, male in suit, right | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

female in blue dress, left, male in suit, right

RATHMELL, Thomas

female in blue dress, left, male in suit, right

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 25601

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

RATHMELL, Thomas

1912-1990

Rôl: Artist

Derbyniad

Gift, 11/11/2002

Mesuriadau

h(cm) frame:118.9

h(cm)

w(cm) frame:93.6

w(cm)

Techneg

Gouache on paper

Drawings

Drawings and watercolours

Fine Art - works on paper

Deunydd

Gouache

Paper

Lleoliad

In store - verified by J Carver

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

<p>Mae’r gwaith celf hwn yn dangos y gêm brawf gyntaf erioed rhwng timau rygbi Cymru a Seland Newydd ar 16 Rhagfyr 1905. Cafodd y gêm ei chwarae ar Barc yr Arfau, Caerdydd o flaen torf o 40,000 wedi’i dyfarnu gan yr Albanwr, John Dallas. Yn y gwaith celf hwn, mae asgellwr Cymru, Teddy Morgan, yn plymio ar draws y llinell gais gan roi Cymru ar y blaen i’r Crysau Duon cyn hanner amser. Enillodd Cymru’r gêm 3-0. Mae’r gêm hon yn arwyddocaol nid yn unig oherwydd y sgôr ond hefyd oherwydd bod tîm a chefnogwyr Cymru, dan arweiniad yr asgellwr Teddy Morgan, wedi canu’r anthem genedlaethol, Hen Wlad fy Nhadau, mewn ymateb i glywed her Haka Seland Newydd. Hwn oedd y tro cyntaf i anthem genedlaethol gael ei chanu cyn gêm chwaraeon.</p>

GILLETT, Frank

(1905 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1939)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JACKOWSKI, Andrzej

(1997)

© Andrzej Jackowski/Amgueddfa Cymru

Amgueddfa Cymru

COLLINGWOOD, William

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1963)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

HARRISON, George

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1973)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Thomas

(1893)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Thomas

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

GUTFREUND, Otto

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

DAVIES, Anthony

(1979)

© Anthony Davies/Amgueddfa Cymru

Amgueddfa Cymru

REGO, Paula Paupers Press

(2009)

©Ostrich Arts Ltd/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

ADAMS, Mac

(1997)

© Mac Adams/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

EVANS, Merlyn

(1963)

© Merlyn Oliver Evans/Amgueddfa Cymru