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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
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Amdanom Ni Cysylltwch â ni
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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

CONWAY, Charles
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 19843

Creu/Cynhyrchu

CONWAY, Charles
Rôl: Artist
Cyfnod: 1848

Derbyniad

Bequest, 1/12/1924

Mesuriadau

Uchder (cm): 25.9
Lled (cm): 19.3

Techneg

Watercolour, ink and pencil on paper

Deunydd

Watercolour
Ink
Pencil
Paper

Lleoliad

In store
Mwy

Tags


  • Blodyn
  • Celf Gain
  • Cyn 1900
  • Cysylltiad Cymreig
  • Dyfrlliw
  • Gweithiau Ar Bapur

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1967)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1968)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1984)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Hunan-bortread ar Garnedd Ddafydd
CHAMBERLAIN, Brenda
(1938)
© Brenda Chamberlain/Amgueddfa Cymru/Reuven Jasser
Amgueddfa Cymru
[No title]
THOMPSON, Gabriel
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: A children's school project attaches messages from the children on the wall surrounding the reconstruction of the Twin Tower area. The September 11 attacks were a series of four co-ordinated terrorist attacks by the Islamic terrorist group al-Qaeda on the United States on the morning of Tuesday, September 11, 2001.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Thomas
(1893)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Thomas
(1893)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Paul, SANDBY,
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PAOLOZZI, Eduardo
(1953)
© The Paolozzi Foundation. Trwyddedwyd gan DACS/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BANNER, Fiona
(2008)
© Fiona Banner/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GAUDIER-BRZESKA, Henri
(1891-1915)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1950 ca)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1943-1945)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WHITEREAD, Rachel
(2008)
© Rachel Whiteread/Amgueddfa Cymru
Amgueddfa Cymru
<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>
FINNEMORE, Peter
(2019)
© Peter Finnemore/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PINWELL, G.J.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Yvonne Fox. Photo shot: Fishguard Bay Hotel, 28th September 1997. Place and date of birth: St David's Pembrokehsire 1954. Main occupation: Warden to the elderly. First language: English. Other languages: Welsh. Lived in Wales: Always.</p> <p>Born in Fishguard in 1954, Yvonne Fox has recounted the tale of Jemima Nichols - the Welsh-woman who, traditionally, fought off the last invaders of the British Isles, French soldiers, with a pitchfork in 1791 - for the local tourist board for many years.</p>
Photographer: HURN David
(1997)
© David Hurn / Magnum Photos / Amgueddfa Cymru

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