[No title] | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

MORGAN, Llew. E. (Photographer)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 57773

Creu/Cynhyrchu

MORGAN, Llew. E.

Rôl: Photographer

Derbyniad

Purchase, 2022

Mesuriadau

h(cm) paper:20

w(cm) paper:24.4

Techneg

Gelatin silver print

Deunydd

Photographic paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

<p>© Paul Cabuts</p>

Photographer: CABUTS, Paul

(1998)

© Paul Cabuts/Amgueddfa Cymru

Amgueddfa Cymru

<p>© Paul Cabuts</p>

Photographer: CABUTS, Paul

(1998-1999)

© Paul Cabuts/Amgueddfa Cymru

Amgueddfa Cymru

<p>© Paul Cabuts</p>

Photographer: CABUTS, Paul

(1998)

© Paul Cabuts/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

BEATON, Cecil

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BOWES, Zillah

(2021)

© Zillah Bowes

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: MARLOW Peter

(2003)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1977)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Magwyd Simon Ling yn Sir Benfro ac mae wedi cynhyrchu nifer o weithiau ar, ac wedi'u hysbrydoli gan dirlun Cymru. Mae maint rhyfeddol ei ddarluniau dwys o ardaloedd anghofiedig yn gweddnewid y berthynas rhwng y testun a'i faint. Defnyddia'r artist hefyd fflachiadau o baent oren i dynnu sylw a tharfu ar yr olygfa.</p>

LING, Simon

(2018)

Amgueddfa Cymru

EVANS, Merlyn

(1959)

© Merlyn Oliver Evans/Amgueddfa Cymru

Amgueddfa Cymru

EVANS, Merlyn

(1959)

© Merlyn Oliver Evans/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: BENSON John

(Unknown)

© John Benson/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Magwyd Simon Ling yn Sir Benfro ac mae wedi cynhyrchu nifer o weithiau ar, ac wedi'u hysbrydoli gan dirlun Cymru. Mae maint rhyfeddol ei ddarluniau dwys o ardaloedd anghofiedig yn gweddnewid y berthynas rhwng y testun a'i faint. Defnyddia'r artist hefyd fflachiadau o baent oren i dynnu sylw a tharfu ar yr olygfa.</p>

LING, Simon

(2018)

Amgueddfa Cymru

du MAURIER, G.L.P.B.

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

BLAKER, Hugh

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2006)

© David Hurn / Magnum Photos / Amgueddfa Cymru