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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
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Amdanom Ni Cysylltwch â ni
En
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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

WILSON, Richard
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (2)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 5747

Creu/Cynhyrchu

WILSON, Richard
1714-1782 Richard Wilson, originally from Montgomeryshire, is often called ‘the Father of British landscapes’ for the key role he played in the development of the tradition, though he initially trained as a portrait painter. He became the first major artist to popularize images of Wales that went beyond topographical accuracy. Caiff Richard Wilson, sy’n wreiddiol o Sir Drefaldwyn, ei alw’n aml yn ‘Dad tirluniau Prydain’ am y rôl allweddol a chwaraeodd yn natblygiad y traddodiad, er iddo hyfforddi fel peintiwr portreadau i gychwyn. Ef oedd yr artist mawr cyntaf i boblogeiddio delweddau o Gymru oedd yn mynd y tu hwnt i gywirdeb topograffaidd.
Rôl: Artist

Derbyniad

Purchase, 24/9/1919

Mesuriadau

h(cm) primary support:12.8
h(cm)
w(cm) primary support:19.1
w(cm)
h(cm) secondary support:22.3
h(cm)
w(cm) secondary support:30
w(cm)
h(in) primary support:5
h(in)
w(in) primary support:7 1/2
w(in)
h(in) secondary support:8 3/4
h(in)
w(in) secondary support:11 3/4
w(in)

Techneg

Chalk on paper
Drawings and watercolours
Fine Art - works on paper

Deunydd

Black chalk
White chalk
Buff paper

Lleoliad

In store
Mwy

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  • Celf Gain
  • Gweithiau Ar Bapur

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
RICHARDS, John Inigo
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Traeth New Smyrna: Eglwys Duw Broffwydoliaeth
Photographer: Carl, DE KEYZER
(2015)
© Carl De Keyzer / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Paul, SANDBY,
(1776)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MUMFORD, Peter
© Peter Mumford/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: BERRY Ian
(2016)
© Ian Berry / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David CLEVERDON, Douglas
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
McINTYRE, Donald
(20th century)
© Donald McIntyre/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JOYCE, Paul
(1977)
©Paul Joyce/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
WADE, A. E.
(1952)
Amgueddfa Cymru
[No title]
WALTERS, Evan
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2014)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Cup and saucer
Producer: Rie, Lucie
© Ystâd the Ystâd yr artist/Ymddiriedolaeth Derek Williams/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
JONES, Jonah
(1989)
Amgueddfa Cymru
[No title]
ROBERTS-JONES, Ivor
(20th century - (second half))
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: JARCHE James
(1940)
Amgueddfa Cymru
[No title]
Paul, SANDBY,
(1777)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
STENNET, Michael
(1977)
© Michael Stennet/Amgueddfa Cymru
Amgueddfa Cymru
<p>Information provided by the estate of Moody: 'The artist's first self-portrait in bronze so displeased him, that he destroyed it. This second version pleased him no better. By the time he finished it in June 1937, he was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version in elm and, within a month, produced Self-Portrait 3. For the next nine years, all his portraits were in wood.</p> <p>When Marie Seton went to live in America, she put this mask into storage, together with several other works the artist had left in her care. Although it is mentioned in her letter of 27.10.42 to Cox &amp; King's, authorising Helene Moody to collect them, it remained with Marie Seton until her death in 1985 and was restored to the artist's collection by her executor Pamela Cullen in 1989.'</p>
MOODY, Ronald Clive
(1937)
© The Ronald Moody Trust/Amgueddfa Cymru

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