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Plate

Anstice, Horton and Rose (Painter)
Pardoe, Thomas (Painter)
Plate
Delwedd: Trwy ganiatâd Amgueddfa Cymru
 Chwyddo

Side plate, greyish-blue hard-paste porcelain with a slight brownish translucency, standing on a shallow foot rim, six lobed and notched rim, some crackling to glaze on the underside, decorated with an underglaze blue ground reserved with two red peonies and a red and yellow flower amid realistically painted foliage, edged with gold, and with large gilt sprays of leaves, narrow gilt border at the rim.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 30337

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

Anstice, Horton and Rose
Pardoe, Thomas
1770-1823
Rôl: Production
Rôl: Factory
Rôl: Production
Rôl: Painter
Lle: Coalport, England
Lle: Bristol, England
Cyfnod: 1812 ca

Derbyniad

Purchase, 15/10/1991

Mesuriadau

Uchder (cm): 2.9
Dyfnder (cm): 19
Uchder (in): 1
Dyfnder (in): 7

Techneg

Press-moulded
Forming
Applied Art
Jiggered
Forming
Applied Art
Underglaze blue
Decoration
Applied Art
Enamelled
Decoration
Applied Art
Gilded
Decoration
Applied Art

Deunydd

Hybrid-paste porcelain

Lleoliad

In store
Mwy

Tags


  • Celf Gymhwysol
  • Cerameg
  • Porslen
  • Porslen Lloegr

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Large lidded jar, reduced etruria marl, unglazed, narrow circular base with straight tapering sides giving an overall conical form, four horizontal 'ribs' evenly spaced around the body with deliberately rough finish, resulting in small protrusions or 'scrapings' of fired clay around each rib, the cover is flat with three circular 'ribs' and a flange to the interior; the surface finished with linseed oil.</p>
Production: Stair, Julian
(2008)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Pot
Production: Saba, Suleyman
(2005-2010)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Upright cage-like structure formed of rods, stoneware with pitted white lithium glaze, open at the top, divided internally into three sections, one larger section in the middle, two smaller ones at each end.</p>
Production: Turner, Annie
(2006)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Frith, Margaret
(1997)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Figure
Production: HINE, Margaret
(1955 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Cup
Potter: MARKS, Margret (Grete)
(1945)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Figure
Production: HINE, Margaret
(1955 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Pot
Production: Blandino, Betty
(1975)
Amgueddfa Cymru
Figure group
Production: Barrett-Danes, Ruth
(1996)
© Ruth Barrett-Danes/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Pot
Production: Ward, John
(1996)
Amgueddfa Cymru
Jug
Production: Keeler, Walter
(1994)
© yr artist/Amgueddfa Cymru
Amgueddfa Cymru
Ffurf siâp cod
Production: Tower, James
(1985)
© ystâd yr artist/Amgueddfa Cymru
Amgueddfa Cymru
<p>Bowl, stoneware, conical on a turned foot, decorated inside with birds and stars and outside with a face, all incised through a cream-coloured slip.</p>
Maker: YARROW, Catherine
(1935-1940)
© Catherine Yarrow/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Floating cinerary jar with cover in orange-brown Etruria marl with visible inclusions, unglazed, the ground formed of a wooden base and back covered with buff-coloured Venetian plaster, the jar with a flat base and oval cross-section, tapering sides and flat shoulders with circular inset cover, the body has two evenly spaced, concentric, horizontal 'ribs' around its circumference, these have been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>
Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Floating cinerary jar with cover in dark grey Petersen Tegl stoneware body with large grit inclusions, the ground formed of a wooden base and back covered with light grey Venetian plaster, the jar with a flat unglazed base and circular cross-section, tapering sides and flat shoulders with circular inset cover, the body has a single concentric, horizontal 'rib' around its circumference appproximately half way up the body, which has been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>
Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Frith, David
(1997)
Amgueddfa Cymru
[No title]
Maker: Suttie, Angus
(1986)
© Ystâd y diweddar Angus Suttie/Amgueddfa Cymru
Amgueddfa Cymru
<p>Pot, earthenware, irregular multi-faceted form with triangular base section; painted in black and green, slip-trailed in relief with squiggles and dots, some black splashes inside.</p>
Maker: Britton, Alison
(1984)
© Alison Britton/Amgueddfa Cymru
Amgueddfa Cymru
<p>Pot, earthenware, irregular form comprising two curved sections connected by irregular angular sections; painted dark blue and white grounds inside and out with painted and trailed dark blue and white markings and some reddish-brown patches.</p>
Maker: Britton, Alison
(1989)
© Alison Britton/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Floating cinerary jar with cover in white, glazed porcelain, the ground formed of a wooden base and back covered with very dark grey Venetian plaster, the jar with a flat unglazed base and broadly triangular cross-section, tapering sides and flat shoulders with circular inset cover, the body has two evenly spaced, concentric, horizontal 'ribs' around its circumference, these have been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>
Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes
(2011)

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