[No title]

Gwaith Celf Nesaf

ROBERTS-JONES, Ivor

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 2880

Creu/Cynhyrchu

ROBERTS-JONES, Ivor

1913-1996

Rôl: Artist

Cyfnod: 20th century - (second half)

Derbyniad

Purchase, 1985

Mesuriadau

Uchder (cm): 50

Lled (cm): 55.1

Dyfnder (cm): 28.3

Uchder (in): 19

Lled (in): 21

Dyfnder (in): 11

Techneg

Bronze

Techniques (sculpture)

Fine Art - sculpture

Deunydd

Bronze

Lleoliad

on display

Caiff Casgliadau Arlein ei ddiweddaru yn rheolaidd, ond gwnewch yn si’r bod eitem yn dal i gael ei arddangos cyn ymweld yn arbennig.

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2002)

Amgueddfa Cymru

[No title]

SEALE, Barney

(20th century)

Amgueddfa Cymru

[No title]

CHRISTO

(1968)

Amgueddfa Cymru

[No title]

Paul, SANDBY,

(1777)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

BELL, David

(1951)

Amgueddfa Cymru

[No title]

Engraver: VAUGHAN, Robert

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

SHAPLAND, Anthony

(2007)

Amgueddfa Cymru

[No title]

Poet: MERCHANT, W. Moelwyn Salvo Print

(1970s-1980s)

Amgueddfa Cymru

Information provided by the estate of Ronald Moody: 'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards. On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'

MOODY, Ronald Clive

(1937)

Amgueddfa Cymru

Figure of a boy on stilits. The boy wears a padded jump suit, woolen mask, plimsoles and gloves, all in black. Three knitted tubes, possibly sleeves from jumpers, inserted into one another and then padded creates a trunk-like appendage which covers and conceals the face. A metal bracket attached to the back of the figure slots into a receiver metal bracket secured to the wall.

FORD, Laura

(2001)

Amgueddfa Cymru

[No title]

JONES, David

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

JOHN, Sir William Goscombe

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

[No title]

WILKIE, Sir David

(1830)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

MARINOT, Maurice

(1924)

Amgueddfa Cymru

[No title]

SHEPPARD, Maurice

(1979 ca)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(1999)

Amgueddfa Cymru

Efa

RODIN, Auguste

(1881)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

JONES, David

(1924)

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

[No title]

Manylion

Collection

Rhif yr Eitem

Creu/Cynhyrchu

Derbyniad

Mesuriadau

Techneg

Deunydd

Lleoliad

Tags

Rhannu

Mwy fel hyn