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[No title]

RICHARDS, Ceri
[No title]
Delwedd: © Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (2)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A(L) 610

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

RICHARDS, Ceri
Education: Swansea School of Art; Royal College of Art Work: Cardiff College of Art; Chelsea School of Art; Royal College of Art; Slade School of Art Awards: CBE, 1960; Hon. D.Litt University of Wales, 1961; Hon.Fellow of the RCA Commissions: stained glass windows for Liverpool Cathedral and Derby Cathedral The landscape of the Gower was a strong source of imagery - much of his work was also inspired by poetry and music: a crowning achievement was the series of paintings and construction on the theme of Debussy's La Cathedrale Engloutie (The Sunken Cathedral)
Rôl: Artist
Cyfnod: 1958

Mesuriadau

Uchder (cm): 24.7
Lled (cm): 19.3
Uchder (in): 9
Lled (in): 7

Techneg

Mixed media on paper
Drawings and watercolours
Fine Art - works on paper

Deunydd

Graphite
Indian ink
Paper
Watercolour

Lleoliad

In store
Mwy

Tags

  • Casgliad Ymddiriedolaeth Derek Williams
  • Celf Gain
  • Celf Gain
  • Celf Gain Ar Fenthyg
  • Cerddoriaeth
  • Cysylltiad Cymreig
  • Eglwys Gadeiriol, Cadeirlan
  • Gweithiau Ar Bapur
  • Mytholeg A Ffantasi
  • Môr
  • Neo-Ramantiaeth
  • Ôl 1900
  • Ôl 1945

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
Photographer: JONES GRIFFITHS, Philip
(1967)
© Philip Jones Griffiths / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: WILSON, Mo
(1989)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: WILSON, Mo
(1989)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: WILSON, Mo
(1989)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: WILSON, Mo
(1989)
Amgueddfa Cymru
[No title]
JENKINS, Paul
(1962)
© Paul Jenkins/ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1999)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MUMFORD, Peter
© Peter Mumford/Amgueddfa Cymru
Amgueddfa Cymru
Model Drusilla "Dru" Beyfus, Dinas Efrog Newydd
Photographer: ARNOLD, Eve
(2015)
© Eve Arnold / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Single section pamphlet, 3 holw sewn with green thread 18 leaves, 1 insert between leaves 13 and 14. </p> <p>p1 Study of an animal (dog) p2 Study of a puma p3 Study of a puma p4 Study of Indian Wolf p5 Study of puma p6 Study of Indian wolves p7 Study of Indian Wolves p8 Study of dog p9 Study of domestic dog p10 Study of a camel p11 Study of deers p12 Study of a deer I Study of a dog p13 Study of deers p14 Study of deers p15 Study of deers p16 Study of monkeys p17 Study of giraffes p18 Study of a deer p19 Study of animals</p>
JONES, David
(1926)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EVANS, Robert
(1815)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>
Photographer: SCHNEIDERMANN, Clémentine
© Clémentine Schneidermann/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1964)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
GASTINEAU, Henry
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
DAWSON, Rev. George
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
GASTINEAU, Henry
(1829)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
GOOSEY, Timothy
Amgueddfa Cymru
[No title]
HUGHES, Hugh
Trwy ganiatâd Amgueddfa Cymru

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