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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

RICHARDS, Ceri
[No title]
Delwedd: © Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (2)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A(L) 610

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

RICHARDS, Ceri
Education: Swansea School of Art; Royal College of Art Work: Cardiff College of Art; Chelsea School of Art; Royal College of Art; Slade School of Art Awards: CBE, 1960; Hon. D.Litt University of Wales, 1961; Hon.Fellow of the RCA Commissions: stained glass windows for Liverpool Cathedral and Derby Cathedral The landscape of the Gower was a strong source of imagery - much of his work was also inspired by poetry and music: a crowning achievement was the series of paintings and construction on the theme of Debussy's La Cathedrale Engloutie (The Sunken Cathedral)
Rôl: Artist
Cyfnod: 1958

Mesuriadau

Uchder (cm): 24.7
Lled (cm): 19.3
Uchder (in): 9
Lled (in): 7

Techneg

Mixed media on paper
Drawings and watercolours
Fine Art - works on paper

Deunydd

Graphite
Indian ink
Paper
Watercolour

Lleoliad

In store
Mwy

Tags

  • Casgliad Ymddiriedolaeth Derek Williams
  • Celf Gain
  • Celf Gain
  • Celf Gain Ar Fenthyg
  • Cerddoriaeth
  • Cysylltiad Cymreig
  • Eglwys Gadeiriol, Cadeirlan
  • Gweithiau Ar Bapur
  • Mytholeg A Ffantasi
  • Môr
  • Neo-Ramantiaeth
  • Ôl 1900
  • Ôl 1945

Rhannu

Mwy fel hyn

Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Jug
Production: Newell, Steven
(1999)
Amgueddfa Cymru
<p>Upright cylindrical form, silver-plated and oxidised gilding metal, oval in plan and slightly off vertical, open at the bottom, a hemispherical bowl inset off centre into the flat top, a hole in its bottom extending into an angled silver tube, the outer surface silver-plated, textured all over with scratch marks and oxidised to a dark grey, the bowl covered with palladium leaf and with a mottled surface, the inside surface matt and blackened with Zebrite.</p>
Production: ten Hompel, Simone
(2008)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
BJORNSEN, Maria
(1975)
Amgueddfa Cymru
[No title]
CHRISTO
(1968)
© Christo/Amgueddfa Cymru
Amgueddfa Cymru
<p>During the Northern Ireland riots in 1971, Don McCullen, working for the 'The Sunday Times Magazine' was assigned to cover Londonderry. This black and white photograph is one of three shots taken within moments of each other, which were later published as a sequence. This moving document illustrates a police assault under the gaze of terrified civilians in the intimate neighborhood of Londonderry.</p>
Photographer: Don, McCULLIN
(1971)
© Don Mccullin/Amgueddfa Cymru
Amgueddfa Cymru
Pobl ac Ystrad Rhondda
ZOBOLE, Ernest
(1961)
© Manuel Zobole/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BRANGWYN, Frank William
© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HURN David
(1986)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: WILSON, Mo
(1989)
© Mo Wilson/Amgueddfa Cymru
Amgueddfa Cymru
<p>View across a field to village in the background</p>
DELHANTY, Denys
(1956)
© Denys Delhanty/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Clear resin or plastic painted on the back with white enamel paint, portrait orientation, laser cut from the back with a series of rounded rectangular forms of varying sizes and depths; the cut sections form a gently sweeping composition.</p>
Production: Horsman, Vaughn
(2013)
Amgueddfa Cymru
[No title]
Photographer: BARBEY, Bruno
(2016)
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1964)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1964)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Mae gennym ddyletswydd i ddiogelu ein cynulleidfa. Mae'r cofnod gwrthrych hwn yn cynnwys delweddau all beri gofid.
<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>
Photographer: HANSEN Paul
(2018)
© Hansen Paul/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WILLIAMS, Kyffin
© Llyfrgell Genedlaethol Cymru / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: MARLOW Peter
(1979)
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru

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