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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

RICHARDS, Ceri
[No title]
Delwedd: © Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (2)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A(L) 610

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

RICHARDS, Ceri
Education: Swansea School of Art; Royal College of Art Work: Cardiff College of Art; Chelsea School of Art; Royal College of Art; Slade School of Art Awards: CBE, 1960; Hon. D.Litt University of Wales, 1961; Hon.Fellow of the RCA Commissions: stained glass windows for Liverpool Cathedral and Derby Cathedral The landscape of the Gower was a strong source of imagery - much of his work was also inspired by poetry and music: a crowning achievement was the series of paintings and construction on the theme of Debussy's La Cathedrale Engloutie (The Sunken Cathedral)
Rôl: Artist
Cyfnod: 1958

Mesuriadau

Uchder (cm): 24.7
Lled (cm): 19.3
Uchder (in): 9
Lled (in): 7

Techneg

Mixed media on paper
Drawings and watercolours
Fine Art - works on paper

Deunydd

Graphite
Indian ink
Paper
Watercolour

Lleoliad

In store
Mwy

Tags

  • Casgliad Ymddiriedolaeth Derek Williams
  • Celf Gain
  • Celf Gain
  • Celf Gain Ar Fenthyg
  • Cerddoriaeth
  • Cysylltiad Cymreig
  • Eglwys Gadeiriol, Cadeirlan
  • Gweithiau Ar Bapur
  • Mytholeg A Ffantasi
  • Môr
  • Neo-Ramantiaeth
  • Ôl 1900
  • Ôl 1945

Rhannu

Mwy fel hyn

Amgueddfa Cymru
<p>"Study made immediately after bombardment." (Sutherland in Wales, 1976, p. 38)</p>
SUTHERLAND, Graham Vivian
(1941)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CUNDALL, Charles E.
(1921)
© Ystâd yr artist. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HUGHES, Hugh
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOARE, Sir Richard Colt
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Castell Dolbadarn
WILSON, Richard
(1765 ca)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Mae Cedric Morris wedi paentio ei bartner Arthur Lett-Haines mewn siwt a het fowler yn cerdded drwy ddinas ryfedd, ddychmygus. Roedd y ddau ar y pryd yn byw ac yn gweithio ym Mharis, a Cedric Morris (a fagwyd ger Abertawe) yn arbrofi â datblygiadau diweddaraf celf fodern.</p>
MORRIS, Cedric
(1923)
© Ystâd Cedric Morris. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
TURNER, Joseph Mallord William
(1796 ca)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>
Photographer: Sam, Mason
(2008)
© Sam Mason/Amgueddfa Cymru
Amgueddfa Cymru
<p>Lluniau llonydd o waith celf fideo yw’r rhain. Caiff ffilmiau celf eu creu gyda gofod neu brofiad penodol mewn golwg. Oherwydd hyn, ac oherwydd rhesymau hawlfraint, ni allwn ddangos y gwaith llawn ar-lein.</p>
DAVIES, Tim
(2011)
© Tim Davies/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Group of ten vessel forms, raku-fired earthenware, five of them comprising two elements, each bearing the text of the one of the Ten Commandments from the King James Bible, the size of each vessel determined by the length of the text.</p>
Production: POPE, Nicholas
(1994)
Amgueddfa Cymru
[No title]
DEVIS, Anthony
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Fy Nhŷ yng Nghymru
WEINBERGER, Harry
(1950s)
© Harry Weinberger/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: ARTHUR, Olivia
(2016)
© Olivia Arthur / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Drawing of seated woman on verso is in ink on paper.</p>
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Thomas
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BRANGWYN, Frank William
© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Gwen John acquired her first cat in 1904. It was a tortoiseshell cat that she named Edgar Quinet after the street in which she was living. She frequently captured her adored cats in spontaneous drawings. Gwen John wrote about one of her cats: ‘she is very important, perhaps the most important thing but that ought not to be, n’est pas?’. Edgar Quinet disappeared in 1908, John was devastated and even wrote a poem about her loss.</p>
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru

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