Plate | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

Plate

Cliff, Clarice (Factory)

Plate, earthenware, round; the body of the plate is glazed yellow, the rim is coloured in bright orange with a slim ring of the glaze and black running around the middle of this section. The well of the plate shows the bottom of a stylised yellow flower with brightly coloured (pink, blue and black) foliage in the background, all on the backdrop of the yellow glaze.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 39557

Historical Associations

Associated Person/Body: Nyman, Henry

Association Type: Private collector

Creu/Cynhyrchu

1899 - 1972 Apprenticed aged 13 to local potteries, before joining A J Wilkinson Royal Staffordhsire Potteries in 1916; trained in all aspects of pottery including design and modelling; under the tutelage of factory owner Colley Shorter, attended Sculpture course at Royal College of Art; went on to become Art Director of A J Wilkinson at age 31; devised Bizarre and Fantasque ranges, inspired by Cubism.

Rôl: Production

Rôl: Factory

Cyfnod: 1931

Derbyniad

Gift, 20/10/2014

Mesuriadau

Dyfnder (in): 9

Uchder (in): 1

Dyfnder (cm): 23.5

Uchder (cm): 2.5

Techneg

Enamelled

Decoration

Applied Art

Glazed

Decoration

Applied Art

Jiggered

Forming

Applied Art

Deunydd

Earthenware

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

EVANS, Merlyn

(1969)

© Merlyn Oliver Evans/Amgueddfa Cymru

Amgueddfa Cymru

HOUSE, Gordon

(1961)

© Gordon House/Amgueddfa Cymru

Amgueddfa Cymru

BOWEN, Keith

(1986)

© Keith Bowen/Amgueddfa Cymru

Amgueddfa Cymru

PRENDERGAST, Peter

(2000)

© Ystad Peter Prendergast/DACS/Derek Williams Trust/Amgueddfa Cymru

Amgueddfa Cymru

BOURNE, James

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>abstract</p>

EVANS, Merlyn

(1957)

© Merlyn Oliver Evans/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: MARLOW Peter

(2001)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

EVANS, Merlyn

(1970)

© Merlyn Oliver Evans/Amgueddfa Cymru

Amgueddfa Cymru

SMITH, Bob & Roberta

(2008)

©Bob and Roberta Smith/Amgueddfa Cymru

Amgueddfa Cymru

JONES, Glyn

(1978)

© Glyn Jones/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1978-1979)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

RICHARDS, Ceri

© Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

<p>Yn 2008 daeth Michal Iwanowski, yr artist a aned yng Ngwlad Pwyl ac yn byw yng Nghaerdydd, ar draws graffiti ger ei gartref yn dweud 'Go Home, Polish'. Ddeng mlynedd yn ddiweddarach, yng nghanol cefndir Brexit ac Ewrop ranedig, ymgymerodd â thaith anhygoel dros 1900km ar droed rhwng Cymru a'i bentref genedigol, Mokrzeszów yng Ngwlad Pwyl. Ei nod oedd archwilio a deall y syniad o 'gartref'. Cymerodd y daith 105 diwrnod i'w chwblhau, a thrwy hynny fe bostiodd ddyddiadur o'i brofiadau a'i gyfarfyddiadau ar Instagram.</p>

IWANOWSKI, Michal

(2018)

© Michal Iwanowski/Amgueddfa Cymru

Amgueddfa Cymru

<p>Yn 2008 gwelodd Michal Iwanovski - artist o Wlad Pwyl yn byw yng Nghaerdydd - graffiti ger ei gartref yn dweud 'Go Home, Polish'. Ddeg mlynedd yn ddiweddarach fe gerddodd y 1900km anodd o Gymru i Wlad Pwyl er mwyn ceisio dod i ddeall y cysyniad o 'gartref' yn dilyn pleidlais Brexit. Cofnododd ei daith a'i brofiadau dros y 105 diwrnod mewn dyddiadur ar Instagram.</p>

IWANOWSKI, Michal

(2018)

© Michal Iwanowski/Amgueddfa Cymru

Amgueddfa Cymru

DE MONCHAUX, Cathy

(2002)

© Cathy de Monchaux. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

GLYDE, J.

(1820)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>

FINNEMORE, Peter

(2019)

© Peter Finnemore/Amgueddfa Cymru

Amgueddfa Cymru

HOYLAND, John

(1989)

© Ystâd John Hoyland. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru