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Plate

Cliff, Clarice (Factory)
Plate
Delwedd: Trwy ganiatâd Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (2)

Plate, earthenware, round; the body of the plate is glazed yellow, the rim is coloured in bright orange with a slim ring of the glaze and black running around the middle of this section. The well of the plate shows the bottom of a stylised yellow flower with brightly coloured (pink, blue and black) foliage in the background, all on the backdrop of the yellow glaze.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 39557

Historical Associations

Associated Person/Body: Nyman, Henry
Association Type: Private collector

Creu/Cynhyrchu

Cliff, Clarice
1899 - 1972 Apprenticed aged 13 to local potteries, before joining A J Wilkinson Royal Staffordhsire Potteries in 1916; trained in all aspects of pottery including design and modelling; under the tutelage of factory owner Colley Shorter, attended Sculpture course at Royal College of Art; went on to become Art Director of A J Wilkinson at age 31; devised Bizarre and Fantasque ranges, inspired by Cubism.
Rôl: Production
Rôl: Factory
Cyfnod: 1931

Derbyniad

Gift, 20/10/2014

Mesuriadau

Dyfnder (in): 9
Uchder (in): 1
Dyfnder (cm): 23.5
Uchder (cm): 2.5

Techneg

Enamelled
Decoration
Applied Art
Glazed
Decoration
Applied Art
Jiggered
Forming
Applied Art

Deunydd

Earthenware

Lleoliad

In store
Mwy

Tags


  • Celf Gymhwysol

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
Photographer: JOYCE, Paul
(1976)
©Paul Joyce/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JOYCE, Paul
(1976)
©Paul Joyce/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HANNANT Sara
(2012)
© Sara Hannant/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1943-1945)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
KRAGULY, Radovan
(2000)
© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
KRAGULY, Radovan
(2000)
© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
KRAGULY, Radovan
(2003)
© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
KRAGULY, Radovan
(2000)
© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
RENOIR, Pierre-Auguste
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SALGADO Sebastiao
(1990)
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SINCLAIR, Nicholas
(1987-2003)
© Nicholas Sinclair. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, Thomas (after) SMITH, J.R. BOYDELL, John
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
RISING, John GREEN, Valentine
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>View of Newport with river through centre</p>
RATHMELL, Thomas
© Thomas Rathmell/Amgueddfa Cymru
Amgueddfa Cymru
<p>This figure of a naked youth stands on his right leg, his face is contorted with pain as he holds his raised left leg, bent at the knee. The source of the pain, a small crab, lies next to his right foot. The Indian sculptor, Bose, achieved exceptional success during his short lifetime, although he first had to travel to Scotland where he also receive Welsh support. During the nineteenth century, Indian art students were mainly taught through indoctrinated academic western systems. After attending the Calcutta Art School, Bose left India aged sixteen to further his education. Having failed to secure a place at an Italian or London academy, he was eventually offered a place at the Board of Manufacturers School of Art in Edinburgh. Here, he won several awards including a travel scholarship that allowed him to visit Paris and meet Rodin. His outstanding talents were clearly recognised by his examiners, including the Welsh sculptor, William Goscombe John. John was a keen supporter of Bose and purchased from him, Boy in Pain and The Hunter (also in AC-NMW collection). In 1926, just as the continuing Indian campaign for independence was gaining momentum, Bose was elected to the Scottish Royal Academy. During his acceptance speech, Bose claimed his honour was “proof […] that the Scottish people had no intention of restricting the legitimate aspirations of the people of India.”</p>
BOSE, Fanindra Nat
(1913)
Trwy ganiatâd Amgueddfa Cymru

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