Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis
Gosodiadau

Gosodiadau Cwcis

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

 

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

 

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

 
 
Gweld ein Polisi Cwcis
×

Image filter options
Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

GASTINEAU, Henry
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 16685

Creu/Cynhyrchu

GASTINEAU, Henry
Rôl: Artist

Derbyniad

Purchase, 4/7/1938

Mesuriadau

Uchder (cm): 10
Lled (cm): 15.5

Techneg

Sepia and pencil on paper
Mounted on card

Deunydd

Sepia
Pencil
Paper
Card

Lleoliad

In store
Mwy

Tags


  • Celf Gain
  • Darlun
  • Gweithiau Ar Bapur

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
Paul, SANDBY,
(1776)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WILSON, Richard (after) WHESSELL, John
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WILSON, Richard (after) WHESSELL, John
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
T.G., STADDON, F.G
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
T.G., STADDON, F.G
Amgueddfa Cymru
[No title]
AMES, Jeremiah
(1815)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JACKSON, Thomas Graham
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ROUAULT, Georges lL'Éoile Filante, Paris Aulard, Paris
(1926)
© ADAGP, Paris a DACS, London 224/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
FENTON, Roger
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SMITH, John "Warwick"
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WILSON, Richard (after) WHESSELL, John
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
TURNER, Joseph Mallord William
(1795 ca)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
GASTINEAU, Henry
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>see title</p>
JONES, David
(1940)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
UNDERWOOD, Leon
© Ystâd Leon Underwood. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>
FINNEMORE, Peter
(2019)
© Peter Finnemore/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HODKINSON, W. B.
(1877)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1978)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, William
Trwy ganiatâd Amgueddfa Cymru

  • Gweithiau Celf
  • Themâu
  • Projectau ac Arddangosfeydd
  • Erthyglau Cynfas
  • Dysgu

Y Wefan

  • Amdanom Ni
  • Mynediad
  • Cwestiynau cyffredin
  • Hawlfraint
  • Cwcis

CYSYLLTWCH Â Ni

  • Cysylltwch â ni
  • Instagram @celfarycyd
× ❮ ❯