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Mug

Young, William Weston (Gilder)

Pardoe, Thomas (Gilder)

Tall cylindrical mug, recessed base, C-scroll handle with feathered thumbpiece and scroll moulding; the front painted in sepia with an oval reserve of a bard, half-length, head to left, white hair and beard blowing in the wind, a harp on his shoulder to right, framed in two gilt lines a band of linked dotted ovals between, horizontal line at base and lip, gilt spray of flowers and foliage on each side, one with butterfly above, handle mouldings also gilded.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 30118

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

Young, William Weston

William Weston Young (1776-1847), cousin of the physician, physicist and Egyptologist Thomas Young, pursued a varied career not only as an entrepreneur, surveyor and botanist but also as an artist. Between 1803 and 1806 he was employed by Lewis Weston Dillwyn as a draughtsman for his scientific publications, but he also worked as a painter at the Cambrian Pottery. His painting on ceramics is distinguished by its precise detailed manner and by the intellectual interests it demonstrates, whether cultural (such as bards and druids) or scientific (such as birds, butterflies and animals).

1770-1823

Rôl: Production

Rôl: Factory

Rôl: Production

Rôl: Painter

Rôl: Production

Rôl: Gilder

Lle: Swansea

Cyfnod: 1803-1806

Derbyniad

Gift, 9/2/1951

Mesuriadau

Uchder (cm): 15.5

Dyfnder (cm): 11.3

Meithder (cm): 16.5

Uchder (in): 6

Dyfnder (in): 4

Meithder (in): 6

Techneg

Wheel-thrown

Forming

Applied Art

Painted

Decoration

Applied Art

Enamels

Decoration

Applied Art

Gilded

Decoration

Applied Art

Deunydd

Pearlware

Lleoliad

on display

Caiff Casgliadau Arlein ei ddiweddaru yn rheolaidd, ond gwnewch yn si’r bod eitem yn dal i gael ei arddangos cyn ymweld yn arbennig.

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Wiinblad, Bjørn Nymølle

(1988 ca)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Sculpture, cast glass, in the form of a quadrilateral block with sloping top surface and straight sides sloping in to the flat base, an impression of the artist's face cast into the top surface and reflected in the mirrored base, striations and small air bubbles within the body of the glass.</p>

Production: Romanelli, Bruno

(2005)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Sculpture, soft-paste porcelain with clear glaze, comprises a heavily cracked monumental rectangular plinth surmounted by a writhing mass of modelled and collaged organic forms that are both identifiable (human limbs) and ambiguous fragments that resemble folded pieces of skin, flowers and tendrils, bones and sinews, and other natural forms; covered over much of the surface with a clear glaze, with unglazed surfaces also apparent.</p>

Production: Kneebone, Rachel

(2014)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Sculptural form, unglazed white porcelain, comprising a thin-walled, simple, rounded open bowl with very narrow convex base and simple rim, the second component is a flat, thin disc of porcelain with visible inclusions and pierced holes that sits upright in the bowl by slotting it into two vertically-pierced clay supports.</p>

Production: Duckworth, Ruth

(2009)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Clear resin or plastic painted on the back with white enamel paint, portrait orientation, laser cut from the back with a series of rounded rectangular forms of varying sizes and depths; the cut sections form a gently sweeping composition.</p>

Production: Horsman, Vaughn

(2013)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Pure Evil 'Gold' Bunny figure, bone china, a stylised rabbit figure with fangs, two front legs and one rear leg; glazed in gold. Original cardboard box.</p>

Factory: Royal Doulton Ltd Charley, Uzzell Edwards

(2015)

Amgueddfa Cymru

Vase

Production: Marinot, Maurice

(1930)

© Maurice Marinot/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Ring

Production: Zahn, Helga

(1962)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Day, Lucienne Heal Fabrics

(1953)

Amgueddfa Cymru

Instruction Manual

Production: BERROCAL, Miguel

(1973)

© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru

Amgueddfa Cymru

Production: Brain, E. A. Ltd (Foley) SUTHERLAND, Graham Vivian

(1934)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Vase

Production: Clarke, Norman Stuart

(1983)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Sculptural form, glazed porcelain, composed of a large, anatomically correct heart cast from that of a cow, with a complex arrangement of branches rising from the aorta and superior vena cava, symbolising veins, arteries and flames, standing on four short, spiny legs; the entire form is covered in vibrant, flowing glaze, primarily in reds, oranges and yellow on the heart and legs, with areas of white paper porcelain, the branches are primarily yellow.</p>

Production: Dias, Natalia

(2012)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>3D printed form, made from layers of powdered nylon substrate combined with pigmented solvent, white in colour; the two pieces combine to form a three dimensional representation of the letter 'F' in a traditional Germanic typeface.</p>

Production: Ravensbourne Johnson Banks

(2013)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>3D printed form, made from layers of powdered nylon substrate combined with pigmented solvent, white in colour; the object is spiral in form and composed of repitions of the letter B that morphs from the Baskerville typeface to Bodoni typeface, the letter gradually increasing in size from the lower to upper faces of the object.</p>

Production: Ravensbourne Johnson Banks

(2013)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Producer: Godfrey, Ian

(1970s)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Pure Evil 'Nightmare' Bunny figure, bone china, a stylised rabbit figure with fangs, two front legs and one rear leg; glazed in orange, spattered drips transfer-printed in black. Original cardboard box.</p>

Factory: Royal Doulton Ltd Charley, Uzzell Edwards

(2015)

Amgueddfa Cymru

Production: Marinot, Maurice

(1930)

© Maurice Marinot/Amgueddfa Cymru

Amgueddfa Cymru

Production: SUTHERLAND, Graham Vivian Unknown

(1950-1955)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Production: SUTHERLAND, Graham Vivian

(1945-1950)

© Ystâd Graham Sutherland/Amgueddfa Cymru