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Mug

Young, William Weston (Gilder)

Pardoe, Thomas (Gilder)

Tall cylindrical mug, recessed base, C-scroll handle with feathered thumbpiece and scroll moulding; the front painted in sepia with an oval reserve of a bard, half-length, head to left, white hair and beard blowing in the wind, a harp on his shoulder to right, framed in two gilt lines a band of linked dotted ovals between, horizontal line at base and lip, gilt spray of flowers and foliage on each side, one with butterfly above, handle mouldings also gilded.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 30118

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

Young, William Weston

William Weston Young (1776-1847), cousin of the physician, physicist and Egyptologist Thomas Young, pursued a varied career not only as an entrepreneur, surveyor and botanist but also as an artist. Between 1803 and 1806 he was employed by Lewis Weston Dillwyn as a draughtsman for his scientific publications, but he also worked as a painter at the Cambrian Pottery. His painting on ceramics is distinguished by its precise detailed manner and by the intellectual interests it demonstrates, whether cultural (such as bards and druids) or scientific (such as birds, butterflies and animals).

1770-1823

Rôl: Production

Rôl: Factory

Rôl: Production

Rôl: Painter

Rôl: Production

Rôl: Gilder

Lle: Swansea

Cyfnod: 1803-1806

Derbyniad

Gift, 9/2/1951

Mesuriadau

Uchder (cm): 15.5

Dyfnder (cm): 11.3

Meithder (cm): 16.5

Uchder (in): 6

Dyfnder (in): 4

Meithder (in): 6

Techneg

Wheel-thrown

Forming

Applied Art

Painted

Decoration

Applied Art

Enamels

Decoration

Applied Art

Gilded

Decoration

Applied Art

Deunydd

Pearlware

Lleoliad

on display

Caiff Casgliadau Arlein ei ddiweddaru yn rheolaidd, ond gwnewch yn si’r bod eitem yn dal i gael ei arddangos cyn ymweld yn arbennig.

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Bowl, glazed earthenware, open form and sitting on four feet configured from extruded, hollow tubular elements resembling cut branches, these extend around the rim and above the bowl; the interior of the bowl and tips of the extruded branches are glazed in orange/yellow with darker brownish flecks, NB to the interior of the rim and the exterior bowl and branches have a dark green glaze also with darker flecks of colour.</p>

Production: Keeler, Walter

(2015)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Vase

Production: Rawnsley, Pamela

(2005)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Bowl, fine silver, square form hand-raised in six lobed segments of different sizes, hammered finish, polished edges.</p>

Production: Brown, Abigail

(2006-2007)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Vase

Production: Rawnsley, Pamela

(2004)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Devlin, Stuart

(1977-1978)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>'#45 Organism', forged steel & dried plants, roughly spherical and formed from multiple strands of forged steel and dried plants set into the top.</p>

Production: Mori, Junko

(2001)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

CARO, Sir Anthony

(1975)

Amgueddfa Cymru

Production: Allgood family

(1750-1763)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Glove piece in a glazed case, comprising a right-hand glove in white leather (kidskin?) with a long cuff of white silk lined in black silk and covered in black lace, a black gauze bow at the wrist attached by a cut-steel brooch, on the middle finger a ring set with ?glass stones, the thumb holding down three playing cards of vellum painted with acrylic paint and ink as the three and seven of spades and a combination of the Ace and Queen of Spades, the glove flanked on each side by a black ribbon, the whole resting on a rectangular base covered with a purple polyester crepe fabric and underneath with dark blue felt and black ribbon, this sitting on crumpled black synthetic fabric that loosely lines the bottom of the rectangular case, the case with a black painted wood frame and glazed top and four sides.</p> <p>Two black tapes attached beneath the internal base feed through a hole in the bottom of the case and tie to hold the internal base in place.</p>

Production: Hawksley, Rozanne

(2008)

Amgueddfa Cymru

BADESLADE, Thomas TOMS, William Henry

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Hanid, Miriam

(2010)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Rawnsley, Pamela

(2006)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Dish, parcel-gilt sterling silver, elongated oval standing on a plain vertical oval foot ring, raised from a single sheet with sloping sides and a single oval depression in the centre, the inside of the bowl gilded.</p>

Production: Ryan, Benjamin

(2010)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Rawnsley, Pamela

(2006)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Llestr lleuad prydferth, anferth wedi'i gwneud yn gyfangwbl â llaw, sy'n gyfuniad rhagorol o grefft, canolbwyntio a gwaith caled. Y tirlun yw ysbrydoliaeth Adam Buick ac mae'n cynnwys deunyddiau lleol yn ei lestri. Yma mae wedi tasgu clai Waun Llodi dros y jar a'i gosod ar blinth carreg las naturiol Sir Benfro.</p>

Production: Buick, Adam

(2015)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Designer: Ryan, Benjamin BJRdesigns

(2010)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Designer: Ryan, Benjamin BJRdesigns

(2010)

Amgueddfa Cymru

<p>Table, walnut, rectangular with CNC-milled surface featuring the remains of a meal, four square tapering legs which disassemble for flat-packing.</p>

Zoe, Preece

(2018)

© Zoe Preece/Amgueddfa Cymru

Amgueddfa Cymru

<p>Mae treftadaeth Lowri Davies fel Cymraes yn ffynhonnell sylweddol o ysbrydoliaeth iddi. Mae serameg yn bwysig i’w hymdeimlad o hunaniaeth, nid yn unig crochenwaith a phorslen hanesyddol o Gymru mewn casgliadau amgueddfeydd, ond hefyd y crochenwaith a’r straeon cysylltiedig a gafodd eu pasio i lawr gan fenywod yn ei theulu. Yr anrhegion priodas yma, cofroddion o deithiau undydd a rhoddion diolch gan ei hen nain, a ysbrydolodd Casglu. Mae’r casgliad yma o lithoffanau yn cynnwys gwrthrychau domestig y magwyd Lowri o’u cwmpas: tebotau, ffigurynnau, y dresel a etifeddodd, lle tân mewn cegin draddodiadol glyd. Placiau porslen tenau wedi’u modelu mewn cerfwedd yw lithoffanau, fel bod delweddau’n ymddangos pan fydd golau’n disgleirio drwyddynt. Roedden nhw’n boblogaidd yn y bedwaredd ganrif ar bymtheg, ac yn cael eu creu yn bennaf mewn ffatrïoedd yn Ffrainc, yr Almaen a Lloegr, ond hefyd yng Nghrochendy De Cymru yn Llanelli.</p>

Production: Davies, Lowri

(2015)

© Lowri Davies/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Vessel sequence, a pair of vessels, sterling silver, each with a flat rectangular base, the sides swelling and rising to an angled rim of leaf-shaped plan that rises to a point at the right, the smaller vessel standing on the left and gilded inside, the taller vessel standing on the right and black gilded inside.</p>

Production: Rawnsley, Pamela

(2008)