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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

George, McCULLOCH
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 26198

Creu/Cynhyrchu

George, McCULLOCH
George McCulloch owned the greatest single private collection of Victorian and Edwardian paintings ever formed. Made his fortune from sheep farming in Australia. At the posthumous sale of his work in 1913, many of his greatest acquisitions were bought by Lord Leverhulme, which led to the foundation of tyhe Lady Lever Gallery, Port Sunlight. Examples of his collection are Millais's 'Sir Isumbras at the Ford', Leighton's 'Daphnephoria'; and the John Singer Sargent's 'On his holidays, Norway' in the LLG was modelled by Alex McCulloch, George McCulloch's son.
Rôl: Artist
Cyfnod: 1870-1900

Derbyniad

Transfer, 1921

Mesuriadau

h(cm) image size:38
h(cm)
w(cm) image size:30.3
w(cm)
h(cm) plate size:48.1
h(cm)
w(cm) plate size:37.7
w(cm)
Uchder (cm): 58.9
Lled (cm): 48.4

Techneg

Mezzotint on india laid paper
Mezzotint
Intaglio printing
Prints
Fine Art - works on paper

Deunydd

Ink
Paper

Lleoliad

In store - verified by BM
Mwy

Tags

  • Celf Gain
  • Gweithiau Ar Bapur
  • Portread Wedi'i Enwi
  • Printiau

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>
MOODY, Ronald Clive
(1937)
© The Ronald Moody Trust/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2002)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
(1930 ca)
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Photo shoot: Linac 5 scanner room, Velindre Hospital, Cardiff, 29th November 2002</p> <p>Velindre Team. Tim Maughan in Consultant in Clinical Oncology at Velindre, Professor of Cancer Studies at the University of Wales College of Medicine and Director of Wales Cancer Trials Networks which gives Welsh patients the opportunity to take part in clinical trials. Professor Malcolm Mason is Professor of Clinical Oncology and one of the country’s leading experts in oncology, the study of tumours. Dr Malcolm Adams is the Medical / Clinical Director of Velindre and a consultant Clinical Oncologist. Together they ensure that Velindre Hospital in Cardiff provides world-class care to its patients.</p> <p>TIMOTHY MAUGHAN Place and date of birth: Farnborough, Kent 1954 Main Occupation: Consultant Clinical Onocologist, Professor of Cancer Studies First language: English Other languages: None Lived in Wales: Since 1988</p> <p>MALCOLM MASON Place and date of birth: London 1956 Main occupation: Professor of Clinical Oncology First language: English Other langauges: None Lived in Wales: Since 1992</p> <p>MALCOLM ADAMS Place and date of birth: Neath 1946 Main occupation: Medical director Consultant Clinical Oncologist First language: English Other languages: French Lived in Wales: Always</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WILDING, Dorothy
(1952)
© Dorothy Wilding/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MARINOT, Maurice
(1920)
© Maurice Marinot/Merat Vincent/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EVANS, Powys
© Powys Evans/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MORRIS, Cedric
(1921)
© Ystâd Cedric Morris. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
RENOIR, Pierre-Auguste
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1997)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Photo shot: Home, Pencader, 18th June 2002. Place and date of birth: London 1961. Main occupation: Musician. First Language: English. Other languages: Welsh. Lived in Wales: Over 20 years.</p> <p>The musician credited with single-handedly re-invigorating the Welsh folk music scene. Born in north London, she studied art and moved to Wales and learned Welsh. It was this move to Wales twenty years ago that sparked her interest in traditional music. She lives in Pencader and tours Wales with her band Fernhill, formed in 1994 with her husband Ceri Rhys Matthews, playing intimate concerts using few instruments, the most important of which is her remarkable voice. Her services as a singer have been sought by the the likes of Robert Plant and John Cale.</p>
Photographer: HURN David
(2002)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ADAMS, Alexander
(2010)
© Alexander Adams/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MARINOT, Maurice
(1947)
© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

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