[No title]

Nôl Gwaith Celf Nesaf

SANDBY, Paul (after) (Engraver)

SHERLOCK, W.P. (Engraver)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 22152

Creu/Cynhyrchu

SANDBY, Paul (after)

SHERLOCK, W.P.

Rôl: Artist

Rôl: Engraver

Cyfnod: 1811

Derbyniad

Gift, 1/5/1917

Mesuriadau

h(cm) secondary support:27.7

h(cm)

w(cm) secondary support:36.5

w(cm)

h(cm) plate size:25.4

h(cm)

w(cm) plate size:31.8

w(cm)

Techneg

Etching on paper

Etching

Intaglio printing

Prints

Fine Art - works on paper

Deunydd

Ink

Paper

Lleoliad

In store - verified by J Carver

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

SKELTON, John

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

MORGAN, Glyn

(1987)

Amgueddfa Cymru

[No title]

LAPORTE, J

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

NASH, Thomas John

(1964)

Amgueddfa Cymru

[No title]

THORNTON, Valerie

(1979)

Amgueddfa Cymru

[No title]

ELIAS, Ken

(20th century - (second half))

Amgueddfa Cymru

[No title]

BONINGTON, Richard Parkes

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Ar Lan y Môr

SHARP, Dorothea

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa. This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.

SMITH, John "Warwick"

(1785)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

MAYER-MARTON, George

Amgueddfa Cymru

[No title]

DAVIES, Tim

(2003)

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

Amgueddfa Cymru

[No title]

HURN David

(1973)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(1973)

Amgueddfa Cymru

[No title]

HOARE, Sir Richard Colt

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Wallpaper

TARR, James C.

Amgueddfa Cymru

[No title]

PIRANESI, Gianbattista

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

(1928)

Amgueddfa Cymru

[No title]

Photographer: CARLIN, Jocelyn

(2007)

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

[No title]

Manylion

Collection

Rhif yr Eitem

Creu/Cynhyrchu

Derbyniad

Mesuriadau

Techneg

Deunydd

Lleoliad

Tags

Rhannu

Mwy fel hyn