[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

JONES, Allen (Publisher)

Editions Alecto (Publisher)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 23466

Creu/Cynhyrchu

b. 1937

Editions Alecto

Rôl: Artist

Rôl: Publisher

Cyfnod: 1966

Derbyniad

Purchase, 19/6/1972

Mesuriadau

Uchder (cm): 51.8

Lled (cm): 56.2

h(cm) secondary support:51.8

h(cm)

w(cm) secondary support:66.9

w(cm)

Techneg

Offset lithograph

Lithograph

Planographic printing

Prints

Fine Art - works on paper

Deunydd

Ink

Paper

Lleoliad

In store - verified by J Carver

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

ZOBOLE, Ernest

(1967)

© Manuel Zobole/Amgueddfa Cymru

Amgueddfa Cymru

HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2002)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

EVANS, Merlyn

(1953)

© Merlyn Oliver Evans/Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

IBBETSON, Julius Caesar

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

CHAPMAN, George

(1959 ca)

© H. Chapman/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>

Photographer: SCHNEIDERMANN, Clémentine

(2016)

SCHNEIDERMANN, Clémentine

© Clémentine Schneidermann/Amgueddfa Cymru

Amgueddfa Cymru

WILSON, Richard (after) ROBERTS, James

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1971)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

RICHARDS, Ceri

(1971 ca)

© Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2002)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: JOYCE, Paul

(1976)

©Paul Joyce/Amgueddfa Cymru

Amgueddfa Cymru

PACHPUTE, Prabhakar

(2020)

© Trwy garedigrwydd yr artist ac Experimenter, Kolkata/Amgueddfa Cymru

Amgueddfa Cymru

HALL, Edna Clarke

© Edna Clarke Hall//Gail Clarke HallAmgueddfa Cymru - Museum Wales

Amgueddfa Cymru

<p>Yn y gwaith hwn mae’r cyferbyniad o awyr goch tanbaid a thir du fel y fagddu’n creu awyrgylch annaearol. Mae’r golau gwinias yn atgoffa’r gwyliwr o’r ffwrneisi a fu unwaith yn goleuo’r nos yn oes aur ddiwydiannol y cymoedd. Mae’r gwaith yn ymdrin â’r gorffennol hwn ac yn ei gysylltu â’r dirwedd ddinesig fodern. Dyma un o naw ffotograff o’r cymoedd a gomisiynwyd ar gyfer pafiliwn Cymru yn Biennale Fenis yn 2003.</p>

SEAWRIGHT, Paul

(2003)

© Paul Seawright/Amgueddfa Cymru