[No title]

Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

WILSON, Richard (after) (Engraver)

WHESSELL, John (Engraver)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 10945

Creu/Cynhyrchu

WILSON, Richard (after)

WHESSELL, John

Whessell was mainly active in London and also published from St. Aldate's, Oxford

Rôl: Artist

Rôl: Engraver

Derbyniad

Bequest, 21/5/1916

Mesuriadau

h(cm) primary support:10.2

h(cm)

w(cm) primary support:14.5

w(cm)

h(in) primary support:4

h(in)

w(in) primary support:5 5/8

w(in)

h(cm) secondary support:20.3

h(cm)

w(cm) secondary support:25.1

w(cm)

h(in) secondary support:8

h(in)

w(in) secondary support:9 7/8

w(in)

h(cm) plate size:15.7

h(cm)

w(cm) plate size:20.8

w(cm)

h(in) plate size:6 1/4

h(in)

w(in) plate size:8 1/4

w(in)

Techneg

Soft ground etching on paper: India laid (proof)

Etching

Intaglio printing

Prints

Fine Art - works on paper

Deunydd

Ink

India paper

Soft ground etching

Lleoliad

In store

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Sketchbook

RICHARDS, Ceri

(1961)

Amgueddfa Cymru

[No title]

ARMITAGE, Kenneth

Amgueddfa Cymru

[No title]

EVANS, Merlyn

(1934)

Amgueddfa Cymru

[No title]

UGLOW, Euan

(1953)

Amgueddfa Cymru

Photo shot: Garden, Tythegston, 18th June 2002. Place and date of birth: Rugby 1960. Main occupation: Potter. First language: English. Other languages: French. Lived in Wales: 5 years. Joanna Howells works from her pottery in Tythegston, on the South Wales coast, creating beautiful ceramics. After reading Medicine at Cambridge, she went to the Sir John Cass School of Art London, then took a ceramics course at Harrow Art College, rekindling her youthful interest in the art form. Her work focuses on form and texture, and is influenced by the rugged and windswept coastline on which she lives. Joanna was born in Rugby and moved to south Wales five years ago.

Photographer: HURN David

(2016)

Amgueddfa Cymru

[No title]

JONES, David CLEVERDON, Douglas

Amgueddfa Cymru

[No title]

Photographer: SUSCHITZKY, Wolfgang

(1950s)

Amgueddfa Cymru

[No title]

Photographer: Tony, RAY-JONES

(1967)

Amgueddfa Cymru

[No title]

HOWARD-JONES, Ray

Amgueddfa Cymru

[No title]

BROWN, Frances Louisa

(1815)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

EVANS, Powys

(1925)

Amgueddfa Cymru

[No title]

JONES, David

Amgueddfa Cymru

[No title]

JOHN, Augustus

Amgueddfa Cymru

[No title]

JOHN, Augustus

Amgueddfa Cymru

[No title]

STEELE, Jeffrey

(1977)

Amgueddfa Cymru

[No title]

Designer: Mikeith Design National Museum of Wales

(1975)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

Photographer: CARTIER-BRESSON, Henri

(1933)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2000)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

Hwfa Môn was the name taken by the Anglesey-born poet and independent minister, Rowland Williams (1823-1905), when he was invested as a Bard in 1849. In 1894 he was elected Archdruid, head of the Gorsedd of Bards. Originally from Bavaria, Herkomer settled in Britain and had a lifelong loyalty to Wales. He much admired the bardic traditions and was closely involved in the National Eisteddfod of Wales, the annual festival of Welsh culture, over which the Gorsedd presided. This interest may have been sparked by his second and third wives, the sisters Lulu and Margaret Griffiths, who were Welsh. This portrait was made during the 1895 Eisteddfod at Llanelli at which Herkomer awarded the prizes in the art section. He wrote a short article in The Graphic following his visit, in which he objected to the costumes of the Gorsedd. He thought they needed 'overhauling' and could be made 'not only picturesque but archaeologically correct'. He subsequently designed new ones, which were used at the 1897 Newport Eisteddfod. This drawing was reproduced as a lithograph to accompany The Graphic article. Herkomer also produced an extraordinary finished watercolour of the same sitter, which is now in the Forbes Magazine collection, New York. An 1894 photograph shows the Archdruid (Clwydfardd) wearing the mitre worn by Hwfa Mon in this drawing. HM appears in another photograph in the same old costume at Llandudno National Eisteddfod in 1896. The new costume designed by Herkomer was first worn by HM in the proclomation ceremony for the Newport National Eisteddfod, August 1896. NMWA 3708 was reproduced as a lithograph in`The Graphic', 10 August 1895, p. 160, the opposite page (161) reproduces another Herkomer portrait of "Gurnos" Jones, conductor of the Welsh Eisteddfod. Hubert von Herkomer, `Hwfa Mon, Archdruid of Wales' 1896, watercolour, Forbes Magazine Collection, New York (P79177-W), in a white and gold frame designed by the artist. Source: Victorian Visions 2004-05 catalogue entry by Beth McIntyre

HERKOMER, Sir Hubert von

(1895)

Trwy ganiatâd Amgueddfa Cymru

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

[No title]

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Derbyniad

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Deunydd

Lleoliad

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