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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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Gwaith Celf Nesaf

landscape

TINKER, David
<p>landscape</p>
Delwedd: © David Tinker/Amgueddfa Cymru
 Chwyddo

landscape


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 25633

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

TINKER, David
1924-2000 David Tinker was born in Charlton, south London, trained at Winchester and Bath Colleges of Art then in 1946, after four years in the Navy during the war, at the Slade School of Art. He first came to Wales in 1949 to take up a Lectureship in Sculpture at Cardiff College of Art. Tinker was a founder member of the 56 Group, a co-operative association formed by young exhibiting artists in Wales who were both advocates of modernism and allied to the international avant garde. Tinker moved to Aberystwyth to teach at the University of Wales in 1962. He was promoted to Director of the Visual Art Department (now the School of Art) in 1973, a position he held until his retirement in 1986.
Rôl: Artist
Cyfnod: 1960 ca

Derbyniad

Gift, 11/11/2002

Mesuriadau

Uchder (cm): 38
Lled (cm): 55.7

Techneg

Mixed media on paper
Drawings and watercolours
Fine Art - works on paper

Deunydd

Ink
Gouache
Paper

Lleoliad

In store
Mwy

Tags


  • Artistiaid Y 21Ain Ganrif
  • Celf Gain
  • Cysylltiad Cymreig
  • Gweithiau Ar Bapur
  • Haniaethol
  • Unlliw, Du A Gwyn

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
PHILLIPS, Tom
© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1993)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Dros y deugain mlynedd diwethaf mae'r ffotograffydd David Hurn wedi canolbwyntio ar ddogfennu ei wlad enedigol mewn ymgais i ganfod gwir ystyr 'diwylliant' Cymru. Mae'r ddelwedd hon yn cynnig cipolwg ar fywyd bob dydd Cymoedd y De yn y 1990au.</p>
Photographer: HURN David
(2014)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2014)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1989)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HEPPLE, Norman
(1981 ca)
© Ystâd Norman Hepple. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>
Photographer: RANDALL Suze
(Unknown)
© Suze Randall/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: CARTIER-BRESSON, Henri
(1933)
© Foundation Henri Cartier-Bresson / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1984)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Eithin Gwyrdd, Cwm Gwyllog, Ffynnonofi, Sir Benfro
PERRY, Mike
(2003)
© Mike Perry/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Ri Hyang Yon, 21, dancer in the Arirang Games, during a practice session in the car park, May Day Stadium, Pyongyang.</p> <p>[Source: BBC, 2014]</p>
Photographer: DANZIGER Nick
(2013)
© Danziger Nick/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Amgueddfa Cymru
[No title]
Photographer: MAJOLI Alex
(1986)
© Alex Majoli / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
SUTHERLAND, Graham Vivian
(1978-1979)
Amgueddfa Cymru
[No title]
Photographer: TAVAKOLIAN Newsha
(2010)
© Mikhael Subotzky / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HERMAN, Josef
(1946)
© Ystâd Josef Herman/Amgueddfa Cymru

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