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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

HOLLAND, Harry
[No title]
Delwedd: © Harry Holland/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (3)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 2105

Creu/Cynhyrchu

HOLLAND, Harry
b. 1941
Rôl: Artist

Derbyniad

Purchase, 1986

Mesuriadau

Uchder (cm): 139.4
Lled (cm): 107.8
Uchder (in): 54
Lled (in): 42

Techneg

Oil on canvas
Techniques (fine art)
Art dept - fine
Fine Art - painting

Deunydd

Oil
Canvas

Lleoliad

In store
Mwy

Tags


  • Artistiaid Y 21Ain Ganrif
  • Celf Gain
  • Dodrefn A Chelfi
  • Paentiad
  • Wyneb

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Cup and saucer
Production: Davies, Lowri
(2011)
© Lowri Davies/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2009)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1979)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>A group of 222 small pots, porcelain, each pot cylindrical with a turned base, impressed on the side with grouped or individual rectangular marks, and glazed with one of a palette of 17 different white glazes, the whole designed to be displayed on a vertical series of shelves.</p>
Production: de Waal, Edmund
(2005)
Amgueddfa Cymru
Blodau a Sidan: Symffoni Las
BOMBERG, David
(1947)
© Ystâd David Bomberg. Cedwir Pob Hawl. DACS 224/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
ARNATT, Keith
(1974-1976)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Bohle, Thomas
(2005 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Bohle, Thomas
(2011)
Amgueddfa Cymru
[No title]
DECORT, Henry
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1929)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PRENDERGAST, Peter
(1967)
© Ystâd Peter Prendergast. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: UZZLE Burk
(Unknown)
© Burk Uzzle/Amgueddfa Cymru
Amgueddfa Cymru
<p>Jar and cover, stoneware, barrel shaped with a slightly protruding rim that has a flattened edge, flat base, domed cover with a flattened protruding rim and a loop handle on top; decorated with a green glaze, the exterior side of the jar is incised around with groups of vertical lines, the cover is moulded with concentric circles.</p>
Production: Batterham, Richard
(1971 ca)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: SADLER Richard
(Unknown)
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: KOUDELKA, Josef
(1968)
Amgueddfa Cymru
[No title]
Photographer: MARLOW Peter
(2006)
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: DWORZAK Thomas
(2016)
© Thomas Dworzak / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Lilïau Dŵr
MONET, Claude
(1908)
Trwy ganiatâd Amgueddfa Cymru

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