[No title] | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

JONES GRIFFITHS, Philip (Photographer)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 12776

Creu/Cynhyrchu

JONES GRIFFITHS, Philip

1936-2008

Rôl: Photographer

Lle: South Wales

Cyfnod: 1961

Derbyniad

Purchase, 7/10/1996

Mesuriadau

h(cm) frame:73.2

h(cm)

w(cm) frame:55.1

w(cm)

d(cm) frame:2.7

d(cm)

h(in) frame:28 13/16

h(in)

w(in) frame:21 11/16

w(in)

d(in) frame:1 1/16

d(in)

h(cm) image size:48.5

h(cm)

w(cm) image size:32.5

w(cm)

h(in) image size:19 1/8

h(in)

w(in) image size:12 3/4

w(in)

Deunydd

Black and white photographic print

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

<p>This figure of a naked youth stands on his right leg, his face is contorted with pain as he holds his raised left leg, bent at the knee. The source of the pain, a small crab, lies next to his right foot. The Indian sculptor, Bose, achieved exceptional success during his short lifetime, although he first had to travel to Scotland where he also receive Welsh support. During the nineteenth century, Indian art students were mainly taught through indoctrinated academic western systems. After attending the Calcutta Art School, Bose left India aged sixteen to further his education. Having failed to secure a place at an Italian or London academy, he was eventually offered a place at the Board of Manufacturers School of Art in Edinburgh. Here, he won several awards including a travel scholarship that allowed him to visit Paris and meet Rodin. His outstanding talents were clearly recognised by his examiners, including the Welsh sculptor, William Goscombe John. John was a keen supporter of Bose and purchased from him, Boy in Pain and The Hunter (also in AC-NMW collection). In 1926, just as the continuing Indian campaign for independence was gaining momentum, Bose was elected to the Scottish Royal Academy. During his acceptance speech, Bose claimed his honour was “proof […] that the Scottish people had no intention of restricting the legitimate aspirations of the people of India.”</p>

BOSE, Fanindra Nat

(1913)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Study of head facing left with hat</p>

SUTHERLAND, Graham Vivian

(1956)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: WILSON, Mo

(1989)

Amgueddfa Cymru

<p>Ri Hyang Yon, 21, dancer in the Arirang Games, during a practice session in the car park, May Day Stadium, Pyongyang.</p> <p>[Source: BBC, 2014]</p>

Photographer: DANZIGER Nick

(2013)

© Danziger Nick/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1997)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JONES, David

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Tombstone the town that achieved its prominent place in Western lore in a brief eight year period, 1877 (the finding of silver) and 1886 when the mines ended because of flooding problems. The famous showdown between the Earps and the Clantons was in October 1881.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1955)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1962)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

ARNATT, Keith

© Ystâd Keith Arnatt. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

ARNATT, Keith

© Ystâd Keith Arnatt. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>Mae’r arlunydd yn sefyll mewn tirwedd ddramatig gyda thelyn yn gorwedd yn ansicr ar graig uwchben afon. Mae ei wisg a’i farf wen ffug yn chwythu yn yr awel. Mae gwaith Bedwyr Williams yn seiliedig ar waith Philip James de Loutherbourg (1740-1812) a’i ddelwedd eiconig o’r Bardd. Mae’r darlun yn ymateb chwareus i syniadau am hunaniaeth a hanes Cymru.</p>

WILLIAMS, Bedwyr

(2005)

© Bedwyr Williams/Amgueddfa Cymru

Amgueddfa Cymru

HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: MORGAN, Llew. E.

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1998)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: DAVIDSON, Bruce

(1962)

© Bruce Davidson / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: SYKES Homer

(2003)

Amgueddfa Cymru

<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>

Photographer: ECONOMOPOULOS Nikos

(1991)

© Nikos Economopoulos / Magnum Photos / Amgueddfa Cymru