[No title]

Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

WILSON, Richard (after) (Engraver)

WHESSELL, John (Engraver)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 10956

Creu/Cynhyrchu

WILSON, Richard (after)

WHESSELL, John

Whessell was mainly active in London and also published from St. Aldate's, Oxford

Rôl: Artist

Rôl: Engraver

Derbyniad

Bequest, 21/5/1916

Mesuriadau

h(cm) primary support:9.6

h(cm)

w(cm) primary support:14.6

w(cm)

h(in) primary support:3 3/4

h(in)

w(in) primary support:5 3/4

w(in)

h(cm) secondary support:20.4

h(cm)

w(cm) secondary support:25.4

w(cm)

h(in) secondary support:8

h(in)

w(in) secondary support:10

w(in)

h(cm) plate size:15.7

h(cm)

w(cm) plate size:20.6

w(cm)

h(in) plate size:6 1/4

h(in)

w(in) plate size:8 1/8

w(in)

Techneg

Soft ground etching on paper: India laid (proof)

Etching

Intaglio printing

Prints

Fine Art - works on paper

Deunydd

Ink

India paper

Soft ground etching

Lleoliad

In store

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

[No title]

EVANS, Powys

(1925)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

Photographer: BENTON HARRIS John

(1976)

Amgueddfa Cymru

"Till recent years a rather common form of the revelry and thanksgiving which have ever taken place at the ingathering of the harvest was the Kern, though it has now died out everywhere except in a few Northumbrian villages. One of the customs of the festival of Ceres, it had many local variations. It was observed in the northern part of Northumberland at the close of the reaping, not the ingathering. Immediately the sickle was laid down and the last sheaf set on end the men shouted that they had "got the kern". Then a curious image was produced – an image dressed in a white frock with coloured ribbons and crowned with corn ears – stuck on a pole, and held aloft by the strongest man of the party while the rest circled round it. Subsequently it was taken to the barn, set on high, and the merrymakers fell to on the harvest supper." Quoted from Sir Benjamin Stone's Pictures: Records Of National Life And History (Cassell, 1904)

Photographer: STONE Benjamin

(1901)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Mae Ar gyfer y Rhedwr Anhysbys gan Chris Ofili yn rhan o gyfres gyfyngedig o brintiau gan artistiaid cyfoes o Brydain a gomisiynwyd ar gyfer Gemau Olympaidd Llundain 2012. Ganwyd Chris Ofili ym Manceinion ddiwedd y 60au, ac erbyn ei fod yn 30 ef oedd yr artist Du cyntaf i ennill Gwobr Turner. Mae ei waith celf ehangach wedi ei ysbrydoli gan hip-hop a jas, cerddoriaeth sydd iddo ef yn ddathliad o ddiwylliant Du, ac mae cyfeiriadau at Dduwch yn britho ei waith. Yn y gwaith hwn mae’r corff yn toddi i’r gofod o’i gwmpas mewn mannau, ac yn diffinio’i hun â llinellau du cryf mewn eraill. Ei gryfder yw ei allu i gyfleu’r ddau. Nid yw’r ffigwr yn y llun wedi’i ddiffinio gan hil, neu ryw. Y Rhedwr Anhysbys. Mae'r ffigwr yn cael ei gau mewn fâs, gan gyfeirio at y Gemau Olympaidd Hynafol. Roeddent yn gyfle i ennill clod ym myd y campau, ond cawsant eu creu hefyd fel lle i werthfawrogi celf a diwylliant.

OFILI, Chris Paupers Press

(2011)

©International Olympic Committee (IOC) - Cedwir Pob Hawl/Chris Ofili/Amgueddfa Cymru

Amgueddfa Cymru

[No title]

JOHN, Augustus

Amgueddfa Cymru

[No title]

JOHN, Augustus

Amgueddfa Cymru

[No title]

Photographer: HURN David

(1978)

Amgueddfa Cymru

Lord Rothschild

SUTHERLAND, Graham Vivian

(1958 ca)

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

(1961 ca)

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

(1958 ca)

Amgueddfa Cymru

Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18

Photographer: SCHNEIDERMANN, Clémentine

(2015)

Amgueddfa Cymru

[No title]

HALL, Edna Clarke

(1929)

Amgueddfa Cymru

[No title]

MASTENBROEK, Jan Hendrik van

(1899)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Gwen John made several nude self-portraits in her room at 87 rue du Cherche-Midi, Paris. She wrote to her friend Ursula Tyrwhitt, ‘I am doing some drawings in my glass, myself & the room … I first draw in the thing then trace it on to a clean piece of paper by holding it against the window.’

JOHN, Gwen

(1908 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

JOHN, Augustus

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

(1962)

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

(1971)

Amgueddfa Cymru

[No title]

Photographer: SUSCHITZKY, Wolfgang

(1950s)

Amgueddfa Cymru

Sketchbook

RICHARDS, Ceri

Amgueddfa Cymru

[No title]

COUR, Glenys

(2000-2001)

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

[No title]

Manylion

Collection

Rhif yr Eitem

Creu/Cynhyrchu

Derbyniad

Mesuriadau

Techneg

Deunydd

Lleoliad

Tags

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