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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
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Amdanom Ni Cysylltwch â ni
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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

McBEAN, Angus (Photographer)
[No title]
Delwedd: © Angus Mcbean/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (2)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 29531

Historical Associations

Associated Person/Body: McBEAN, Angus
Association Type: Artist

Creu/Cynhyrchu

McBEAN, Angus
McBean began his career in the theatre as mask-maker and scenery designer before turning to full-time theatre photography. McBean is renowned for his theatrical and inventive photography of the 1930s and 1940s. Imitated throughout his career, his influence especially in advertising is still prominent today. In 1935 he opened his own studio; and his prominent style was soon being published in glossy magazines. The Surrealist Exhibition in 1936 was an influence on McBean's theatrical portraits. After the Second World War he opened a larger studio in Covent Garden, and in the 1940s and 1950s was inundated with commissions from theatre companies. In the 1960s McBean photographed the Beatles for their first album.
Rôl: Artist
Rôl: Photographer
Cyfnod: 1940

Derbyniad

Purchase, 18/6/2010

Mesuriadau

Uchder (cm): 38
Lled (cm): 30.2
h(cm) mount:52.8
h(cm)
w(cm) mount:38.8
w(cm)

Techneg

Gelatin silver print

Lleoliad

In store - verified by BM
Mwy

Tags


  • Actor
  • Bachgen
  • Celf Gain
  • Ffotograff
  • Gweithiau Ar Bapur
  • Portread
  • Portread Wedi'i Enwi

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Garry, FABIAN MILLER
(1976-1977)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Garry, FABIAN MILLER
(1976-1977)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Garry, FABIAN MILLER
(1976-1977)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Garry, FABIAN MILLER
(1976-1977)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Garry, FABIAN MILLER
(1976-1977)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Garry, FABIAN MILLER
(1976-1977)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Garry, FABIAN MILLER
(1976-1977)
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
(1903-1904)
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1979)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BUNBURY, Henry William
(1785)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SPENCER, Ewen
(2006)
© Ewen Spencer/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2002)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>head and shoulders of a girl</p>
JONES, Colin
(20th century)
© Colin Jones/Jean Roberts/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Ym 1905 symudodd Jacob Epstein o Baris i Lundain, ac yno daeth i adnabod Augustus John. Ddwy flynedd yn ddiweddarach, gwnaeth ben efydd o Romilly John (g.1904), mab yr arlunydd. Mae'r cerflun grymus hwn o'r un pwnc yn dangos dylanwad cerflunio Cyntefig ac Eric Gill, a gerfiodd yr arysgrif ROM ar ei waelod. Ym 1911 disgrifiodd Epstein Rom fel 'y Plentyn Bythol, un o'r ffigyrau ymyl mewn grŵp yn dyrchafu Dyn a Dynes, o gwmpas creirfa ganolog...fel teml fawr'.</p>
EPSTEIN, Jacob
(1910)
© Ystâd Sir Jacob Epstein/Tate/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David
(1931)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: SCIANNA Ferdinando
(1962)
© Ferdinando Scianna / Magnum Photos / Amgueddfa Cymru

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