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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

JOYCE, Paul (Printer)
[No title]
Delwedd: ©Paul Joyce/Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 28980

Creu/Cynhyrchu

JOYCE, Paul
Joyce had a successful career as a photographer in the 1970's, when over fifty of his portrait photographs were acquired by the National Portrait Gallery, and examples of his landscape work were acquired by the Government Art Collection. He subsequently became a documentary film maker and painter and is best known as the author of two books based on conversations with David Hockney. Between 1976 and 1979 he made several visits to Wales, resulting in a cycle of black and white prints that formed the exhibition 'Edge to Edge - Photographs of the Welsh Landscape' which was toured by the then Arts Council Wales and accompanied by a catalogue of the same name.
Rôl: Photographer
Rôl: Printer
Lle: Wales
Cyfnod: 1976-1977

Derbyniad

Purchase, 31/3/2007

Mesuriadau

h(cm) image size:16.3
h(cm)
w(cm) image size:35.8
w(cm)
h(cm) primary support:40.7
h(cm)
w(cm) primary support:50.7
w(cm)

Techneg

Photograph on paper

Deunydd

Paper
Ink

Lleoliad

In store
Mwy

Tags


  • Adeiladau Adfeiliedig
  • Artistiaid Y 21Ain Ganrif
  • Bryniau
  • Bwthyn
  • Celf Gain
  • Cysgod
  • Ffotograff
  • Gweithiau Ar Bapur
  • Hanes Cymru
  • Tirwedd

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
KOUDELKA, Josef
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
KOUDELKA, Josef
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1947)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ADAMS, Mac
(20th century - (second half))
© Mac Adams/Amgueddfa Cymru
Amgueddfa Cymru
<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>
Photographer: SCHNEIDERMANN, Clémentine
© Clémentine Schneidermann/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JONES GRIFFITHS, Philip
(1993)
© Philip Jones Griffiths / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Inscribed throughout, including inside back cover: SKETCHES MADE DURING MY/ STAY AT/ PARIS, LYONS, MAREILLES, GENOA, ROME, FLORENCE, MILAN/ COMO/ AUSANNE/ FERRARA.</p>
PARRY, John Orlando
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1972)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
RICHARDS, Ceri
(1936 ca)
© Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
Glöwr tu allan i ffatri Hoover, 1961, Merthyr Tudful
Photographer: JONES GRIFFITHS, Philip
(1961)
© Philip Jones Griffiths / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ADAMS, Mac
(20th century - (second half))
© Mac Adams/Amgueddfa Cymru
Amgueddfa Cymru
<p>landscape</p>
KOPPEL, Heinz
(20th century - (second half))
© Heinz Koppel/Amgueddfa Cymru
Amgueddfa Cymru
<p>landscape in blue</p>
MOORE, Leslie
(1975)
© Leslie Moore/Amgueddfa Cymru
Amgueddfa Cymru
<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>
Photographer: SCHNEIDERMANN, Clémentine
(2015)
© Clémentine Schneidermann/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
(1915)
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>
Photographer: SCHNEIDERMANN, Clémentine
(2015)
© Clémentine Schneidermann/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
POYNTER, Sir Edward
(1885)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PIPER, Tom
(2009)
© Tom Piper/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: MAJOLI Alex
(1986)
© Alex Majoli / Magnum Photos / Amgueddfa Cymru

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