[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

YOUNG, William Weston

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 16740

Creu/Cynhyrchu

YOUNG, William Weston

Painted earthernware at Swansea; was proprietor for Nantgarw factory in 1819; was keen watercolour artist and etcher of Welsh landscapes, and published "A Guide to the Scenery of the Vales of Neath" in 1835, with his own illustrations

Rôl: Artist

Derbyniad

Bequest, 12/8/1938

Mesuriadau

Uchder (cm): 14.9

Lled (cm): 12.1

h(cm) secondary support:30.6

h(cm)

w(cm) secondary support:20.8

w(cm)

Techneg

Sepia wash on paper

Mounted on paper

Drawings and watercolours

Fine Art - works on paper

Deunydd

Sepia wash

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Apache Junction. The Senior Pro Rodeo. Bareback riding. The Senior Pro Rodeo provides the same opportunities and events for cowboys and cowgirls as do the WPRA. The only difference is the age of those competing. Bareback is scored on a seven second ride plus style of riding. The world champion of the class 50+ is over 60 years of age.</p>

Photographer: HURN David

(1980)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1980)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1992)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Black Mountain Ltd. Pit ponies each have an individual handler who is responsible for its health, welfare and cleanliness. Ponies are not underground for long periods. Simply the time it takes to get to the coal face and bring the coal out to the surface. A distance of about a mile.</p>

Photographer: HURN David

(1993)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2009)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1974)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2002)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Full title: Disneyland, opened in 1955. Designed and built under the direct supervision of Walt Disney. I stood in the footsteps of Diane Arbus.</p>

Photographer: HURN David

(1980)

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1968)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru