Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis
Gosodiadau

Gosodiadau Cwcis

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

 

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

 

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

 
 
Gweld ein Polisi Cwcis
×

Image filter options
Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

POYNTER, Sir Edward
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 11560

Historical Associations

Association Type: Provenance
Associated Person/Body: John, Sir William Goscombe
Association Type: Owner
Associated Person/Body: National Museum of Wales
Association Type: Museum
Date: 1928

Creu/Cynhyrchu

POYNTER, Sir Edward
1836-1919
Rôl: Artist
Cyfnod: 1881 ca

Derbyniad

Gift, 18/6/1928

Mesuriadau

h(cm) sheet size:45.6
h(cm)
w(cm) sheet size:28.8
w(cm)

Techneg

Green chalk on paper

Deunydd

Green chalk
Paper

Lleoliad

In store
Mwy

Tags

  • Angel
  • Astudiaeth Ffurf
  • Celf Fictorianaidd
  • Celf Gain
  • Crefydd A Chred
  • Darlun
  • Gweithiau Ar Bapur
  • Gwisg Glasurol
  • Traed

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
Photographer: HURN David
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Astudiaeth ar gyfer Blaenau Ffestiniog
PRENDERGAST, Peter
(1993)
© Ystâd Peter Prendergast. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>In 'Laura Knight at Theatre' (Unicorn Press, 2008) Timothy Wilcox writes:</p> <p>The figures in this dressing room scene have not been conclusively identified, but the foreground figure is likely to be Lopokhova, in the costume of Columbine in Carnaval. The flounced dress was decorated with a motif of cherries around the hems, which Knight, as often elsewhere, renders more simply.</p>
KNIGHT, Laura
(1923)
© Ystâd Laura Knight. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BLISS, Douglas Percy
© Douglas Bliss/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1998)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
REDDICK, Peter
(1983)
© Peter Reddick/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HILL Paul
(1977)
© Paul Hill. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>
SMITH, John "Warwick"
(1785)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
DEVIS, Anthony
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: BRANDT, Bill
(1948)
© Bill Brandt/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
COLLIER, T.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SCHREIBER, Charles
(1869)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WADSWORTH, Edward Morland Press Limited Herbert Furst, Little Art Rooms, London
(1920 ca)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David
(1925)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1972)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
DAVID, Barbara
© Barbara David/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>abstract</p>
SETCH, Terry
(1979)
© Terry Setch/Amgueddfa Cymru
Amgueddfa Cymru
<p>figure in a street</p>
RATHMELL, Thomas
(1938)
© Thomas Rathmell/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
AMENEIRO, Tony
(2007)
© Tony Ameneiro/Amgueddfa Cymru

  • Gweithiau Celf
  • Themâu
  • Projectau ac Arddangosfeydd
  • Erthyglau Cynfas
  • Dysgu

Y Wefan

  • Amdanom Ni
  • Mynediad
  • Cwestiynau cyffredin
  • Hawlfraint
  • Cwcis

CYSYLLTWCH Â Ni

  • Cysylltwch â ni
  • Instagram @celfarycyd
× ❮ ❯