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Plate

Cambrian Pottery (Design Source)
Curtis's Botanical Magazine (Design Source)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Pearlware circular plate with flat base and chocolate brown rim. Centre painted with a spray of the bending-stalked marigold in yellow, red, green, brown and black enamel.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 30506

Creu/Cynhyrchu

Cambrian Pottery
Established in Swansea in 1764, the Cambrian Pottery reached its creative peak under the proprietorship of Lewis Weston Dillwyn (1778-1855), who ran the Pottery (with a break between 1817 and 1824) from 1802 to 1836. Lewis Weston Dillwyn was a natural scientist, antiquarian, Member of Parliament, magistrate and landowner whose intellectual interests drove the Cambrian Pottery to become one of the most ambitious and artistically accomplished British potteries of the early 19th century. While the porcelain manufactured in Swansea between 1814 and 1825 justifies its reputation as among the finest of British porcelains, the pottery produced under Dillwyn’s ownership between 1802 and about 1809 was at its best an equally impressive achievement, most particularly that made for sale in the Pottery’s Cambrian Warehouse in London 1806-1808, the context for which this supper service was most likely created.
Curtis's Botanical Magazine
Rôl: Production
Rôl: Factory
Rôl: Production
Rôl: Design Source
Lle: Swansea
Cyfnod: 1800 ca

Derbyniad

Bequest, 10/12/1953

Mesuriadau

Uchder (cm): 1.9
diam (cm): 20.5
Uchder (in): 3
diam (in): 8

Techneg

Jiggered
Forming
Applied Art
Enamelled
Decoration
Applied Art

Deunydd

Pearlware

Lleoliad

on display
Mwy

Tags


  • Celf Gymhwysol
  • Cerameg

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Bohle, Thomas
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Sculpture
Production: Binns, David
(1997)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Sculpture
Production: Binns, David
(2000)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Shallow bowl form, earthenware, in the form of a thick disc with a shalloow depression in the top, hollow and open underneath; painted in slip with concentric rings in tones of white and grey.</p>
Production: Kim, Jin Eui
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Hanna, Ashraf
(2000-2005)
Amgueddfa Cymru
Cup and saucer
Production: Davies, Lowri
(2011)
© Lowri Davies/Amgueddfa Cymru
Amgueddfa Cymru
Vase
Production: Davies, Lowri
(2011)
© Lowri Davies/Amgueddfa Cymru
Amgueddfa Cymru
Bowl
Production: Davies, Lowri
(2011)
© Lowri Davies/Amgueddfa Cymru
Amgueddfa Cymru
Bill
Production: Nantgarw China Works Billingsley, William
(1819)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Butter-dish and cover
Production: Midwinter Ltd, W.R. Midwinter, Eve Midwinter, Roy
(1973-1982)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Lithophane
Philip, Eglin
(2010)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Teapot and three bowls
Production: Stair, Julian
(2003)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Vase form, unglazed porcelain, upright hexagonal form, the sides formed of panels with alternating convex and concave profiles, corrugated surface throughout.</p>
Maker: Keith, Varney
(2014)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Potter: Bohle, Thomas
(2014)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>A group of 222 small pots, porcelain, each pot cylindrical with a turned base, impressed on the side with grouped or individual rectangular marks, and glazed with one of a palette of 17 different white glazes, the whole designed to be displayed on a vertical series of shelves.</p>
Production: de Waal, Edmund
(2005)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vase
Production: Blandino, Betty
(1990-2000)
Amgueddfa Cymru
Pot
Production: Ward, John
(1997)
© John Ward/Amgueddfa Cymru
Amgueddfa Cymru
<p>Figure, humanoid/anthropomorphic female form, white soft-paste porcelain with a clear glaze, some areas unglazed, hand-modelled and standing on four squat legs, undulating lower body rising to sloping shoulders, the form is overall of a undulating conical shape, simple stylised face with pierced eyes, the arms resting by the sides of the breats and over the stomach with hands overlapping; the figure has applied grog/encrustations applied to the hairline and top of the head, flowing down the body in broad, undulating stripes, unglazed, hand-modelled flowers of varying sizes applied over the body.</p>
Production: Woodrow, Sophie
(2013)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, antelope's head with simple, elongated and rounded body and fout squat feet; draped at the shoulders with two garlands of overlapping leaves, attached over the shoulders and behind the neck with a rope or tie, the eyes are pierced.</p>
Production: Woodrow, Sophie
(2014)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vase
Production: Brett, Jackie
(1987)

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