[No title]

ROUAULT, Georges (Publisher)

lL'Éoile Filante, Paris (Publisher)

Aulard, Paris (Publisher)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 13661

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

ROUAULT, Georges

1871-1958

lL'Éoile Filante, Paris

Aulard, Paris

Rôl: Artist

Rôl: Publisher

Cyfnod: 1926

Derbyniad

Purchase, 9/9/1983

Mesuriadau

h(cm) sheet size:64.5

h(cm)

w(cm) sheet size:50.3

w(cm)

h(cm) plate size:57.7

h(cm)

w(cm) plate size:41.7

w(cm)

h(cm) folder:67.5

h(cm)

w(cm) folder:51.5

w(cm)

Techneg

Etching and aquatint on paper

Mixed technique

Intaglio printing

Prints

Fine Art - works on paper

Deunydd

Ink

Paper

Lleoliad

In store

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Roedd y Fonesig Eleanor Butler a Sarah Ponsonby yn fenywod o dras bonheddig Eingl-Wyddelig, wnaeth oresgyn gwrthwynebiad gan eu teuluoedd a sgandal cymdeithasol gan redeg i ffwrdd gyda’i gilydd. Daethant i Blas Newydd, Llangollen, ym 1779 a buon nhw’n byw yno am dros hanner canrif. Roedden nhw’n gwisgo dillad gwrywaidd, yn llofnodi gohebiaeth ar y cyd ac yn gwrthod treulio un noson oddi cartref. Daeth eu ffyddlondeb i’w gilydd a’u ffordd ddelfrydol o fyw yn rhan o chwedloniaeth gyfoes. Roedd llawer o enwogion yn ymweld â nhw, gan gynnwys Dug Wellington, William Wordsworth a Walter Scott. Nid yw’n hysbys pryd y gwnaeth yr artist amatur, y Fonesig Leighton, y paentiad y mae’r lithograff hwn yn seiliedig arno. Yn ôl y sôn, doedd yr un o’r ddwy foneddiges yn fodlon eistedd i gael portread, ond roedd y ddwy am i’r llall wneud hynny.

LEIGHTON, Lady LANE, Richard James

(19th century)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

This figure of a naked youth stands on his right leg, his face is contorted with pain as he holds his raised left leg, bent at the knee. The source of the pain, a small crab, lies next to his right foot. The Indian sculptor, Bose, achieved exceptional success during his short lifetime, although he first had to travel to Scotland where he also receive Welsh support. During the nineteenth century, Indian art students were mainly taught through indoctrinated academic western systems. After attending the Calcutta Art School, Bose left India aged sixteen to further his education. Having failed to secure a place at an Italian or London academy, he was eventually offered a place at the Board of Manufacturers School of Art in Edinburgh. Here, he won several awards including a travel scholarship that allowed him to visit Paris and meet Rodin. His outstanding talents were clearly recognised by his examiners, including the Welsh sculptor, William Goscombe John. John was a keen supporter of Bose and purchased from him, Boy in Pain and The Hunter (also in AC-NMW collection). In 1926, just as the continuing Indian campaign for independence was gaining momentum, Bose was elected to the Scottish Royal Academy. During his acceptance speech, Bose claimed his honour was “proof […] that the Scottish people had no intention of restricting the legitimate aspirations of the people of India.”

BOSE, Fanindra Nat

(1913)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

HOWARD-JONES, Ray

(1950-1970)

Amgueddfa Cymru

[No title]

WILSON, Richard (after) WHESSELL, John

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Studies of distaffs, a child's head and a cat

MARIS, Matthijs

(1874 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

ISTVAN, SZONYI

Amgueddfa Cymru

Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.

Photographer: HURN David

(2016)

Amgueddfa Cymru

[No title]

Paul, SANDBY,

(1777)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

Paul, SANDBY,

(1775)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

Photographer: BROWN Michael Christopher

(2010)

Amgueddfa Cymru

Brawd y Peintiwr, Stephen

FREUD, Lucian

(1985-1986)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

Photographer: EVANS, John Paul

(2024)

Amgueddfa Cymru

Standing man and lying man

GRANT, Duncan

Amgueddfa Cymru

[No title]

JOHN, Augustus

Amgueddfa Cymru

[No title]

JOHN, Augustus

Amgueddfa Cymru

[No title]

WALTERS, Evan

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

GAINSBOROUGH, Thomas (after) LAPORTE, J

(18th century)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

JONES, David

(1925)

Amgueddfa Cymru

[No title]

JONES, David Golden Cockerel Press

(1926)

Amgueddfa Cymru

[No title]

BADESLADE, Thomas TOMS, William Henry

Trwy ganiatâd Amgueddfa Cymru

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

[No title]

Manylion

Collection

Rhif yr Eitem

Historical Associations

Creu/Cynhyrchu

Derbyniad

Mesuriadau

Techneg

Deunydd

Lleoliad

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