[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

PARR Martin (Photographer)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 55276

Creu/Cynhyrchu

Rôl: Photographer

Cyfnod: 1996

Derbyniad

Gift, 25/4/2017

Mesuriadau

h(cm) image size:26.1

h(cm)

w(cm) image size:39.3

w(cm)

h(cm) paper:30.5

w(cm) paper:40.6

Techneg

C-type photographic print

Deunydd

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

HURN David

(1977)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

TRESS, David

(1994)

© David Tress/Amgueddfa Cymru

Amgueddfa Cymru

DAVIES, Anthony

(1979)

© Anthony Davies/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: CHETWYN Len

(Unknown)

Amgueddfa Cymru

Photographer: PINKHASSOV Gueorgui

(1976)

© Gueorgui Pinkhassov/ Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Yr arfordir. Aberystwyth, Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Yn 2008 daeth Michal Iwanowski, yr artist a aned yng Ngwlad Pwyl ac yn byw yng Nghaerdydd, ar draws graffiti ger ei gartref yn dweud 'Go Home, Polish'. Ddeng mlynedd yn ddiweddarach, yng nghanol cefndir Brexit ac Ewrop ranedig, ymgymerodd â thaith anhygoel dros 1900km ar droed rhwng Cymru a'i bentref genedigol, Mokrzeszów yng Ngwlad Pwyl. Ei nod oedd archwilio a deall y syniad o 'gartref'. Cymerodd y daith 105 diwrnod i'w chwblhau, a thrwy hynny fe bostiodd ddyddiadur o'i brofiadau a'i gyfarfyddiadau ar Instagram.</p>

IWANOWSKI, Michal

(2018)

© Michal Iwanowski/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: DE MIDDEL Cristina

(2011)

Amgueddfa Cymru

Photographer: MOLE Arthur

(Unknown)

© Arthur Mole/Amgueddfa Cymru

Amgueddfa Cymru

<p>Dros y deugain mlynedd diwethaf mae'r ffotograffydd David Hurn wedi canolbwyntio ar ddogfennu ei wlad enedigol mewn ymgais i ganfod gwir ystyr 'diwylliant' Cymru. Mae'r ddelwedd hon yn gipolwg ar fywyd bob dydd yn y de yn y 1990au.</p>

Photographer: HURN David

(1995)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

WILLIAMS, Bedwyr

(2015)

© Bedwyr Williams/Amgueddfa Cymru

Amgueddfa Cymru

MISTRY, Dhruva

(1990 ca)

© Dhruva Mistry, CBE RA/Amgueddfa Cymru

Amgueddfa Cymru

BRANGWYN, Frank William

© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

KRAGULY, Radovan

(1965)

© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: MORGAN, Llew. E.

Amgueddfa Cymru

<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>

Photographer: SCHNEIDERMANN, Clémentine

(2016)

© Clémentine Schneidermann/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: JARVIS, Gareth

(2011)

© Gareth Jarvis/Amgueddfa Cymru

Amgueddfa Cymru

<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>

Photographer: SCHNEIDERMANN, Clémentine

(2015)

© Clémentine Schneidermann/Amgueddfa Cymru