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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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Amdanom Ni Cysylltwch â ni
En
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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

Tureen

Cambrian Pottery (Decorator)
Pardoe, Thomas (Decorator)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Tureen, pearl-glazed earthenware, trumpet foot, deep oval bowl, painted in monochrome around the bowl with a continuous scene of 'Needles from Altrim BAY / BRIXTON DOWNS' one side painted with rocks to left and bay with a small boat by the shore, the opposite side with a cottage with hills behind, and rocks and bushes in the foreground; continuous border pattern of beads within black diamonds on a pink ground, gilt line above foot.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 30471

Creu/Cynhyrchu

Cambrian Pottery
Established in Swansea in 1764, the Cambrian Pottery reached its creative peak under the proprietorship of Lewis Weston Dillwyn (1778-1855), who ran the Pottery (with a break between 1817 and 1824) from 1802 to 1836. Lewis Weston Dillwyn was a natural scientist, antiquarian, Member of Parliament, magistrate and landowner whose intellectual interests drove the Cambrian Pottery to become one of the most ambitious and artistically accomplished British potteries of the early 19th century. While the porcelain manufactured in Swansea between 1814 and 1825 justifies its reputation as among the finest of British porcelains, the pottery produced under Dillwyn’s ownership between 1802 and about 1809 was at its best an equally impressive achievement, most particularly that made for sale in the Pottery’s Cambrian Warehouse in London 1806-1808, the context for which this supper service was most likely created.
Pardoe, Thomas
1770-1823
Rôl: Production
Rôl: Factory
Rôl: Production
Rôl: Decorator
Lle: Swansea
Cyfnod: 1800 ca

Derbyniad

Bequest, 10/12/1953

Mesuriadau

Uchder (cm): 13
Meithder (cm): 13
Lled (cm): 19.3
Uchder (in): 5
Meithder (in): 5
Lled (in): 7

Techneg

Moulded
Forming
Applied Art
Enamelled
Decoration
Applied Art

Deunydd

Pearlware

Lleoliad

In store
Mwy

Tags


  • Celf Gymhwysol
  • Cerameg
  • Priddwaith
  • Priddwaith Cymru

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Producer: Michikawa Shōzō
(2005)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Sculptural form, stoneware, roughly an upright rectangle standing on three rudimentary feet, an indentation at the bottom centre of the unglazed side, a vertical groove running from the top halfway down the other side, on top a slot at one corner, a small hole at the opposite corner, irregular surface with striations.</p>
Production: Lerat, Jacqueline
(1995)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Producer: Coper, Hans
(1950s)
Amgueddfa Cymru
Bowl
Producer: Rie, Lucie
(1980s)
© Ystâd the Ystâd yr artist/Ymddiriedolaeth Derek Williams/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Clarke, Norman Stuart
(1984)
Amgueddfa Cymru
Vase
Production: Marinot, Maurice
(1929)
© Maurice Marinot/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Designer: SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Tall vase or pot, red earthenware, composed of five bulbous sections wheel thrown and joined one on top of the other; the surface is embellished in a remarkably free, expressionistic manner, with splashes and running streaks of glaze in may colours, predominantley white, yellow, black and brown, with areas of the fired body visible, the artist has vigorously manipulated the top section, which has deep finger gouges around its circumference, the lower two sections are inscribed with letters (inscription TBC), beneath some areas of glaze and on the unglazed areas the surface of the body has been incised with comparatively standardised, geometric decoration.</p>
Production: Carroll, Simon
(2006)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Producer: Casanovas, Claudí
(1989)
Amgueddfa Cymru
<p>Gwnaed y cwpanau coffi cain, bregus yma gan Lucie Rie, un o grochenyddion stiwdio mwyaf yr ugeinfed ganrif. Dihangodd o Fienna dan lygain y Natsiaid ym 1938 gan ymgartrefu yn Llundain a gwneud enw i'w hun gyda'i cherameg modernaidd, cywrain. Daw'r llestri yma o Gasgliad Anita Besson sydd ym meddiant Ymddiriedolaeth Derek Williams.</p>
Producer: Rie, Lucie
(1958)
© Ystâd the Ystâd yr artist/Ymddiriedolaeth Derek Williams/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Dish
Production: Wedgwood, Josiah, and Sons Ltd Bravi, Mirko
(1995)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Plant pot
Production: Wiinblad, Bjørn Nymølle
(1988 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Sculpture, soft-paste porcelain with clear glaze, comprises a heavily cracked monumental rectangular plinth surmounted by a writhing mass of modelled and collaged organic forms that are both identifiable (human limbs) and ambiguous fragments that resemble folded pieces of skin, flowers and tendrils, bones and sinews, and other natural forms; covered over much of the surface with a clear glaze, with unglazed surfaces also apparent.</p>
Production: Kneebone, Rachel
(2014)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Sculpture, cast glass, in the form of a quadrilateral block with sloping top surface and straight sides sloping in to the flat base, an impression of the artist's face cast into the top surface and reflected in the mirrored base, striations and small air bubbles within the body of the glass.</p>
Production: Romanelli, Bruno
(2005)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Sculptural form, unglazed white porcelain, comprising a thin-walled, simple, rounded open bowl with very narrow convex base and simple rim, the second component is a flat, thin disc of porcelain with visible inclusions and pierced holes that sits upright in the bowl by slotting it into two vertically-pierced clay supports.</p>
Production: Duckworth, Ruth
(2009)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Pure Evil 'Gold' Bunny figure, bone china, a stylised rabbit figure with fangs, two front legs and one rear leg; glazed in gold. Original cardboard box.</p>
Factory: Royal Doulton Ltd Charley, Uzzell Edwards
(2015)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Clear resin or plastic painted on the back with white enamel paint, portrait orientation, laser cut from the back with a series of rounded rectangular forms of varying sizes and depths; the cut sections form a gently sweeping composition.</p>
Production: Horsman, Vaughn
(2013)
Amgueddfa Cymru
Vase
Production: Marinot, Maurice
(1930)
© Maurice Marinot/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Ring
Production: Zahn, Helga
(1962)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Fabric
Production: Day, Lucienne Heal Fabrics
(1953)

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