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[No title]

RICHARDS, Ceri
[No title]
Delwedd: © Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (3)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 21852

Creu/Cynhyrchu

RICHARDS, Ceri
Education: Swansea School of Art; Royal College of Art Work: Cardiff College of Art; Chelsea School of Art; Royal College of Art; Slade School of Art Awards: CBE, 1960; Hon. D.Litt University of Wales, 1961; Hon.Fellow of the RCA Commissions: stained glass windows for Liverpool Cathedral and Derby Cathedral The landscape of the Gower was a strong source of imagery - much of his work was also inspired by poetry and music: a crowning achievement was the series of paintings and construction on the theme of Debussy's La Cathedrale Engloutie (The Sunken Cathedral)
Rôl: Artist
Cyfnod: 1931

Derbyniad

Gift, 6/3/1974

Mesuriadau

Uchder (cm): 28.1
Lled (cm): 37.6

Techneg

Pencil on paper

Deunydd

Pencil
Paper

Lleoliad

In store
Mwy

Tags

  • Astudiaeth Ffurf
  • Benyw Noeth, Menyw Noeth
  • Celf Gain
  • Cysylltiad Cymreig
  • Darlun
  • Gweithiau Ar Bapur
  • Haniaethol
  • Ôl 1900

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
Photographer: KEETMAN, Peter
(1969)
© Peter Keetman/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURA Sohrab
(2016)
© Sohrab Hura / Magnum Photos / Amguedfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>5 screen film installation</p>
CALE, John
(2009)
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ROBERTS-JONES, Ivor
(20th century - (second half))
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MARINOT, Maurice
(1930)
© Maurice Marinot/Merat Vincent/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1966)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1966)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: PINCKERS Max
(2015)
© Max Pinckers / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Mae'r gweithiau hyn yn rhan o gyfres o ddeg ysgythriad a gynhyrchodd Ofili i ymateb i leoliad. Gogledd Cymru oedd y lleoliad diweddaraf ar ôl Barcelona, Berlin ac Efrog Newydd. Yr ysgythriadau yw ffordd yr artist o ddod i 'nabod Gogledd Cymru. Mae'r ddelweddiaeth yn cyfeirio'n anuniongyrchol at y lleoliad dan sylw. Trwy ddefnyddio celf i ddeall yr ardal o'i gwmpas, mae Ofili yn ein hannog i gwestiynu beth yw hanfod genre tirluniau.</p> <p>Label gan Chloe Jones o'r grŵp Codi'r Llen ar Gaffael.</p>
OFILI, Chris
(1996)
© Chris Ofili/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: JOYCE, Paul
(1979)
©Paul Joyce/Amgueddfa Cymru
Amgueddfa Cymru
<p>Rhwng 1976 a 1979 daeth y ffotograffydd Paul Joyce ar sawl ymweliad i Gymru gan greu casgliad o brintiadau du a gwyn yn portreadu gwahanol dirweddau’r wlad. Mae’r ffotograff hwn yn dangos tirwedd llechi Blaenau Ffestiniog, ond sut mae’n adrodd stori’r diwydiant yn y 1970au?</p>
Photographer: JOYCE, Paul
(1977)
©Paul Joyce/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2014)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Designer: Design Systems, Cardiff National Museum of Wales
(1974)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Producer: Casanovas, Claudí
(1989)
Amgueddfa Cymru
[No title]
JOHNSON, Nerys
(20th century - (second half))
© Ystâd Nerys Johnson/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
LEACH, Bernard
© The Bernard Leach Family. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
Anhysbys
Photographer: PARR Martin
(1983-1985)
© Martin Parr / Magnum Photos / Amgueddfa Cymru

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