[No title] | Gwaith Celf | Celf ar y Cyd

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[No title]

WILLIAMS, Kyffin

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 26043

Creu/Cynhyrchu

WILLIAMS, Kyffin

1918-2006

Rôl: Artist

Cyfnod: 20th century

Derbyniad

Bequest, 25/11/2003

Mesuriadau

h(cm):

w(cm):

h(cm) frame:38.4

h(cm)

w(cm) frame:51.2

w(cm)

d(cm) frame:

d(cm)

Techneg

Ink and wash on paper

Ink on paper

Drawings and watercolours

Fine Art - works on paper

Deunydd

Wash

Ink

Paper

Lleoliad

In store - verified by CT

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

MARINOT, Maurice

(1951)

© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

Amgueddfa Cymru

BILL, Simon

(2008)

© Simon Bill/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2002)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: BLACK, Matt

(2014)

© Matt Black / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>dancing figures, abstract</p>

EVANS, Merlyn

(1955)

© Merlyn Oliver Evans/Amgueddfa Cymru

Amgueddfa Cymru

GREEN, Anthony

(1960)

© Anthony Green/Amgueddfa Cymru

Amgueddfa Cymru

CAULFIELD, Patrick

© Ystâd Patrick Caulfield. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

CAULFIELD, Patrick

© Ystâd Patrick Caulfield. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Peter, De WINT

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

POOLE, Monica

© Monica Poole/Amgueddfa Cymru

Amgueddfa Cymru

<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>

MOODY, Ronald Clive

(1937)

© The Ronald Moody Trust/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

(1943-1945)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

COLLINS, Cecil

(1963)

© Cecil Collins/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1964)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

RICHARDS, Ceri

(1942)

© Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

JOHNSON, Nerys

(1977)

© Ystâd Nerys Johnson/Amgueddfa Cymru

Amgueddfa Cymru

Crud Du a Maneg Latecs

RHYS JAMES, Shani

(2003)

© Shani Rhys James. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

DAVIES, Tim

(2003)

© Tim Davies/Amgueddfa Cymru