[No title] | Gwaith Celf | Celf ar y Cyd

Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis

Gosodiadau

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

Derbyn

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

Derbyn

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

Derbyn

Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

WILLIAMS, Kyffin

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 26043

Creu/Cynhyrchu

WILLIAMS, Kyffin

1918-2006

Rôl: Artist

Cyfnod: 20th century

Derbyniad

Bequest, 25/11/2003

Mesuriadau

h(cm):

w(cm):

h(cm) frame:38.4

h(cm)

w(cm) frame:51.2

w(cm)

d(cm) frame:

d(cm)

Techneg

Ink and wash on paper

Ink on paper

Drawings and watercolours

Fine Art - works on paper

Deunydd

Wash

Ink

Paper

Lleoliad

In store - verified by CT

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

HUGHES-STANTON, Blair R.

© Blair R. Hughes-Stanton/Amgueddfa Cymru

Amgueddfa Cymru

MARINOT, Maurice

(1951)

© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

(1971)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: KEETMAN, Peter

(1961)

© Peter Keetman/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Plaster portrait of 4th Baron Raglan cast in bronze on a square bronze base.</p>

WOJNAROWSKI, Kostek

(1959)

Amgueddfa Cymru

Photographer: HURN David

(1973)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

SHORT, Sir Frank TURNER, Joseph Mallord William (after)

(20th century - (first half))

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

PIPER, John

© Ystâd Piper/DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

PIPER, John

© Ystâd Piper/DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

COLLINS, Cecil

(1944)

© Cecil Collins/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: REAS Paul

(1988 ca)

© Paul Reas/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: DAVIDSON, Bruce

(1965)

© Bruce Davidson / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1953)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: MORGAN, Llew. E.

(1932)

Amgueddfa Cymru

JONES, David

(1926)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Label from '[un]seen [un]heard]' display intervention 2020: "This bust is a portrait of Paul Robeson an African American athlete, performing artist and activist created by Jamaican-born fellow Black artist Ronald Moody. During his time spent in Britain, Robeson developed a deep bond with the labour movement and was particularly supportive of the miners of Wales." </p> <p>This portrait was commissiond by the DDR Akademie der Kunst, Berlin, but political mayhem forced them to renege. Despite this and Robeson's unpredictability as a sitter, it was ready in time for the SPS 'Human Rights' exhibition.</p> <p>This dramatic head was the last of five portraits in this medium, which are essays in the juxtaposition of textural effects and patins. In each, the skin has the nubbly surface, developed during the artist's experimentation with concrete, but in these works it is more varied and much finer and contrasts subtly with other textures he achieves. Here honeycomb texture of the hair compliments the heavier texture of the skin, infusing the whole with immense tactility.</p>

MOODY, Ronald Clive

(1968)

© The Ronald Moody Trust/Amgueddfa Cymru