[No title] | Gwaith Celf | Celf ar y Cyd

Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis

Gosodiadau

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

Derbyn

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

Derbyn

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

Derbyn

Gwaith Celf Nesaf

[No title]

WILLIAMS, Christopher

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 5146

Creu/Cynhyrchu

WILLIAMS, Christopher

Son of Evan Williams. At first he studied medicine, but at 19 decided to be an artist. Studied at Neath with F.J.Kerr and then at South Kensington & the Royal Academy schools, where he was awarded the Landseer scholarship. He first exhibited at the R.A. in 1902 with "Paolo and Francesca". In 1906 he exhibited "The Remorse of Soul" & "Atalanta" in 1908 "Spring", in 1910 "Margam Orangery", "Dryslwyn Castle", "Snowdonia" * "Ceridwen" besides numerous portraits of notable Welshman.

Rôl: Artist

Cyfnod: 1902

Derbyniad

Bequest, 1/12/1924

Mesuriadau

h(cm) frame:85.8

h(cm)

w(cm) frame:74.7

w(cm)

Uchder (cm): 67.5

Lled (cm): 56.2

Techneg

Oil on canvas

Techniques (fine art)

Art dept - fine

Fine Art - painting

Deunydd

Oil

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Merch yn ei Heistedd

STEVENS, Alfred Emile Leopold Joseph Victor

(1872 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: GREGORY, Chris

(1979)

Amgueddfa Cymru

WALTERS, Evan

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

MARINOT, Maurice

(1925)

© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

Amgueddfa Cymru

WHISTLER, James Abbot McNeill

© Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

WILLIAMS, Warren

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

(1935)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

<p>Mae’r portread hyn yn dangos Williams fel dramodydd. Ganed Williams ym Mostyn, Sir y Fflint a chafodd ei addysg ym Mhrifysgol Rhydychen. Ymddangosodd ar lwyfan am y tro cyntaf ym 1927, ond daeth yn llwyddiannus dros nos gyda Night Must Fall (1935), drama gyffrous a ysgrifennwyd ganddo ac y bu’n serennu ynddi. Ymddangosodd Williams hefyd mewn llu o ffilmiau a dramâu radio. Mae ei sioeau llenyddol un dyn, genre theatraidd a ddyfeisiodd ei hun i raddau helaeth, wedi dod yn chwedlonol. Cafodd Williams ei gydnabod yn gyhoeddus fel dyn deurywiol cyn llawer o’i gyfoeswyr, ac ysgrifennodd yn agored am ei rywioldeb yn ei ddau hunangofiant.</p>

McBEAN, Angus

(1938)

© Angus Mcbean/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

WILLIAMS, Penry

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

POPE, Tom

(2010)

© Tom Pope/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: MORGAN, Llew. E.

(1944)

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BLOCH, Martin

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Engraver: GAUJEAN, Eugéne BURNE-JONES, Sir Edward, (after)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2002)

© David Hurn / Magnum Photos / Amgueddfa Cymru