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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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Nôl Gwaith Celf Nesaf

[No title]

WILLIAMS, Christopher
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 5146

Creu/Cynhyrchu

WILLIAMS, Christopher
Son of Evan Williams. At first he studied medicine, but at 19 decided to be an artist. Studied at Neath with F.J.Kerr and then at South Kensington & the Royal Academy schools, where he was awarded the Landseer scholarship. He first exhibited at the R.A. in 1902 with "Paolo and Francesca". In 1906 he exhibited "The Remorse of Soul" & "Atalanta" in 1908 "Spring", in 1910 "Margam Orangery", "Dryslwyn Castle", "Snowdonia" * "Ceridwen" besides numerous portraits of notable Welshman.
Rôl: Artist
Cyfnod: 1902

Derbyniad

Bequest, 1/12/1924

Mesuriadau

h(cm) frame:85.8
h(cm)
w(cm) frame:74.7
w(cm)
Uchder (cm): 67.5
Lled (cm): 56.2

Techneg

Oil on canvas
Techniques (fine art)
Art dept - fine
Fine Art - painting

Deunydd

Oil

Lleoliad

In store
Mwy

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  • Celf Gain
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Rhannu


Mwy fel hyn


Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: MURTHA Tish
(1981)
Amgueddfa Cymru
[No title]
ALLEN, Colin
(1954)
© Colin Allen/C, SC & TG Allen./Amgueddfa Cymru - Museum Wales
Amgueddfa Cymru
[No title]
SETCH, Terry
(20th century - (second half))
©Terry Setch/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SETCH, Terry
(20th century - (second half))
©Terry Setch/Amgueddfa Cymru
Amgueddfa Cymru
<p>landscape</p>
PRENDERGAST, Peter
(1973)
© Ystâd Peter Prendergast. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
RICHARDS, Ceri
(1947)
© Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JANECEK, Ota
© Ota Janecek/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WELLS, John
(1959)
© John Wells/Amgueddfa Cymru
Amgueddfa Cymru
Menyw a Phlentyn mewn Dôl yn Bougival
MORISOT, Berthe
(1882)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>roman head (lying on one side) in landscape</p>
CHARLTON, Evan
(1968)
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MARINOT, Maurice
© Maurice Marinot/Merat Vincent/Amgueddfa Cymru
Amgueddfa Cymru
Astudiaeth Lundeinig
BOYLE, Mark
(1965-1966)
© Boyle Family. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>abstract</p>
RICHARDSON-JONES, Keith
© Keith Richardson-Jones/Amgueddfa Cymru

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