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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

HERMAN, Josef
[No title]
Delwedd: © Ystâd Josef Herman/Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A(L) 558

Historical Associations

Association Type: Provenance
Associated Person/Body: Howard Roberts Gallery
Association Type: Dealer
Associated Person/Body: Williams, Derek
Association Type: Private collector
Date: 1965-1967

Creu/Cynhyrchu

HERMAN, Josef
1911-2000
Rôl: Artist
Cyfnod: 1963

Mesuriadau

Uchder (cm): 20.5
Lled (cm): 25.5
Uchder (in): 8
Lled (in): 10

Techneg

Mixed media on paper
Drawings and watercolours
Fine Art - works on paper

Deunydd

Graphite
Indian ink
Wash
Paper

Lleoliad

In store
Mwy

Tags


  • Artistiaid Y 21Ain Ganrif
  • Astudiaeth Ffurf
  • Casgliad Ymddiriedolaeth Derek Williams
  • Celf Gain
  • Celf Gain
  • Celf Gain Ar Fenthyg
  • Cysylltiad Cymreig
  • Gweithiau Ar Bapur
  • Ôl 1900
  • Ôl 1945

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PHILLIPS, Tom
© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CRABTREE, Jack
© Jack Crabtree/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PHILLIPS, Tom
© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1977)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Yn Nhŷ Fy Nhad
RODNEY, Donald Gladstone
(1996-1997)
© Donald Gladstone Rodney/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: CARLIN, Jocelyn
(2007)
© Jocelyn Carlin/Amgueddfa Cymru
Amgueddfa Cymru
Figure studies
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
(1900-1910)
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EVANS, Merlyn
(1953)
© Merlyn Oliver Evans/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1968)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
8fed arrondissement. 7 Rue Saint-Florentin. Tŷ ffasiwn Jean Patou, y dylunydd Christian LACROIX
Photographer: LE QUERREC Guy
(1985)
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1975)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PRENDERGAST, Peter
(1964)
© Ystâd Peter Prendergast. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WHITEREAD, Rachel
(2008)
© Rachel Whiteread/Amgueddfa Cymru
Amgueddfa Cymru
<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>
FINNEMORE, Peter
(2019)
© Peter Finnemore/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
NASH, David
© David Nash. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

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