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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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[No title]

TURNER, Joseph Mallord William (Engraver)
HIGHAM, T (Engraver)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 27384

Creu/Cynhyrchu

TURNER, Joseph Mallord William
HIGHAM, T
Rôl: Artist
Rôl: Engraver

Derbyniad

Gift, 3/3/1933

Mesuriadau

h(cm) image size:19.9
h(cm)
w(cm) image size:14.3
w(cm)
h(cm) primary support:14.3
h(cm)
w(cm) primary support:22.2
w(cm)
h(cm) plate size:15.2
h(cm)
w(cm) plate size:22.8
w(cm)
h(cm) secondary support:30.7
h(cm)
w(cm) secondary support:44.8
w(cm)

Techneg

Engraving
Intaglio printing
Prints
Fine Art - works on paper

Deunydd

Paper
Ink

Lleoliad

In store
Mwy

Tags


  • Celf Gain
  • Gweithiau Ar Bapur
  • Printiau

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Two nude women on a rock overhanging a river.</p>
RAVERAT, Gwendolen
(1920)
Amgueddfa Cymru
<p>Full title: Fountain Hills Parade. America has a long tradition of local parades. They are a way of showing off the local community activities and its commercial base. Fountain Hills Arizona has their parade just before Christmas. The Daughters of the American Revolution are always active.</p>
Photographer: HURN David
(1997)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Quartzsite is a small town, population 2000, in South-western Arizona desert. From October through March the population increases to near the million mark. The new visitors are called the 'Snowbirds' coming from the cold north in their RVs. Parking in the desert costs just $50 for the whole season. This picture shows the start of the arrivals.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
DAVIES, Tim
(2003)
© Tim Davies/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1964)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1969)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1947)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
<p>abstract, landscape</p>
ROWAN, Eric
(1974-1975)
© Eric Rowan/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BARKER of Bath, Thomas
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GREEN, Peter
(1958-1959)
© Peter Green/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1963)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
STENNET, Michael
(1977)
© Michael Stennet/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BOUDIN, Louis Eugène
(19th century (late))
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