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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

CURTIS, Tony (Printer)

JONES, Jonah (Printer)

Western Illinois Univeristy (Printer)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 13305

Creu/Cynhyrchu

Western Illinois Univeristy

Rôl: Poet

Rôl: Calligrapher

Rôl: Printer

Cyfnod: 1984

Derbyniad

Gift, 17/7/1985

Mesuriadau

Uchder (cm): 57

Lled (cm): 76.2

Uchder (in): 22

Lled (in): 30

Techneg

Screen-printed

Decoration

Applied Art

Deunydd

Ink

Paper

Lleoliad

In store - verified by CT

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

JONES, David

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: PARR Martin

(2014)

© Martin Parr / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1996)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2007)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Yr arfordir. Aberystwyth, Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: DAVIDSON Bruce

(1966)

© Bruce Davidson / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

(1979)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Floating cinerary jar with cover in white, glazed porcelain, the ground formed of a wooden base and back covered with very dark grey Venetian plaster, the jar with a flat unglazed base and broadly triangular cross-section, tapering sides and flat shoulders with circular inset cover, the body has two evenly spaced, concentric, horizontal 'ribs' around its circumference, these have been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>

Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes

(2011)

Amgueddfa Cymru

HOWARD-JONES, Ray

(1926)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

<p>Photo shoot: Linac 5 scanner room, Velindre Hospital, Cardiff, 29th November 2002</p> <p>Velindre Team. Tim Maughan in Consultant in Clinical Oncology at Velindre, Professor of Cancer Studies at the University of Wales College of Medicine and Director of Wales Cancer Trials Networks which gives Welsh patients the opportunity to take part in clinical trials. Professor Malcolm Mason is Professor of Clinical Oncology and one of the country’s leading experts in oncology, the study of tumours. Dr Malcolm Adams is the Medical / Clinical Director of Velindre and a consultant Clinical Oncologist. Together they ensure that Velindre Hospital in Cardiff provides world-class care to its patients.</p> <p>TIMOTHY MAUGHAN Place and date of birth: Farnborough, Kent 1954 Main Occupation: Consultant Clinical Onocologist, Professor of Cancer Studies First language: English Other languages: None Lived in Wales: Since 1988</p> <p>MALCOLM MASON Place and date of birth: London 1956 Main occupation: Professor of Clinical Oncology First language: English Other langauges: None Lived in Wales: Since 1992</p> <p>MALCOLM ADAMS Place and date of birth: Neath 1946 Main occupation: Medical director Consultant Clinical Oncologist First language: English Other languages: French Lived in Wales: Always</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>

Photographer: RANDALL Suze

(Unknown)

© Suze Randall/Amgueddfa Cymru

Amgueddfa Cymru

<p>Yn 2008 daeth Michal Iwanowski, yr artist a aned yng Ngwlad Pwyl ac yn byw yng Nghaerdydd, ar draws graffiti ger ei gartref yn dweud 'Go Home, Polish'. Ddeng mlynedd yn ddiweddarach, yng nghanol cefndir Brexit ac Ewrop ranedig, ymgymerodd â thaith anhygoel dros 1900km ar droed rhwng Cymru a'i bentref genedigol, Mokrzeszów yng Ngwlad Pwyl. Ei nod oedd archwilio a deall y syniad o 'gartref'. Cymerodd y daith 105 diwrnod i'w chwblhau, a thrwy hynny fe bostiodd ddyddiadur o'i brofiadau a'i gyfarfyddiadau ar Instagram.</p>

IWANOWSKI, Michal

(2018)

© Michal Iwanowski/Amgueddfa Cymru

Amgueddfa Cymru

<p>Sheet creased centrally horizontally - top and lower sections likely to be two seperate drawings</p>

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Thomas

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: JONES GRIFFITHS, Philip

(1968)

© Philip Jones Griffiths / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

BECKER, Harry

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Floating cinerary jar with cover in orange-brown Etruria marl with visible inclusions, unglazed, the ground formed of a wooden base and back covered with buff-coloured Venetian plaster, the jar with a flat base and oval cross-section, tapering sides and flat shoulders with circular inset cover, the body has two evenly spaced, concentric, horizontal 'ribs' around its circumference, these have been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>

Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes

(2011)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Floating cinerary jar with cover in dark grey Petersen Tegl stoneware body with large grit inclusions, the ground formed of a wooden base and back covered with light grey Venetian plaster, the jar with a flat unglazed base and circular cross-section, tapering sides and flat shoulders with circular inset cover, the body has a single concentric, horizontal 'rib' around its circumference appproximately half way up the body, which has been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>

Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes

(2011)