[No title]

Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

CURTIS, Tony (Printer)

JONES, Jonah (Printer)

Western Illinois Univeristy (Printer)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 13305

Creu/Cynhyrchu

CURTIS, Tony

JONES, Jonah

Western Illinois Univeristy

Rôl: Poet

Rôl: Calligrapher

Rôl: Printer

Cyfnod: 1984

Derbyniad

Gift, 17/7/1985

Mesuriadau

Uchder (cm): 57

Lled (cm): 76.2

Uchder (in): 22

Lled (in): 30

Techneg

Screen-printed

Decoration

Applied Art

Deunydd

Ink

Paper

Lleoliad

In store - verified by CT

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

[No title]

Photographer: HURN David

(1988)

Amgueddfa Cymru

[No title]

PACKER Sue

Amgueddfa Cymru

[No title]

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

Photographer: MANOS Constantine

(2000)

Amgueddfa Cymru

Darn Canol Bwrdd Con Brio

Production: Nguyen, Theresa

(2010)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2002)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

Label from '[un]seen [un]heard]' display intervention 2020: "This bust is a portrait of Paul Robeson an African American athlete, performing artist and activist created by Jamaican-born fellow Black artist Ronald Moody. During his time spent in Britain, Robeson developed a deep bond with the labour movement and was particularly supportive of the miners of Wales." This portrait was commissiond by the DDR Akademie der Kunst, Berlin, but political mayhem forced them to renege. Despite this and Robeson's unpredictability as a sitter, it was ready in time for the SPS 'Human Rights' exhibition. This dramatic head was the last of five portraits in this medium, which are essays in the juxtaposition of textural effects and patins. In each, the skin has the nubbly surface, developed during the artist's experimentation with concrete, but in these works it is more varied and much finer and contrasts subtly with other textures he achieves. Here honeycomb texture of the hair compliments the heavier texture of the skin, infusing the whole with immense tactility.

MOODY, Ronald Clive

(1968)

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

(1973)

Amgueddfa Cymru

[No title]

GINNER, Charles Isaac

(1914 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

Photographer: HURN David

Amgueddfa Cymru

[No title]

Photographer: HURN David

(1964)

Amgueddfa Cymru

[No title]

Photographer: KUBOTA Hiroji

(2016)

Amgueddfa Cymru

[No title]

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Gwen John acquired her first cat in 1904. It was a tortoiseshell cat that she named Edgar Quinet after the street in which she was living. She frequently captured her adored cats in spontaneous drawings. Gwen John wrote about one of her cats: ‘she is very important, perhaps the most important thing but that ought not to be, n’est pas?’. Edgar Quinet disappeared in 1908, John was devastated and even wrote a poem about her loss.

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

SHORT, Sir Frank TURNER, Joseph Mallord William (after)

(1896)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

ROBERTS, Will

(1974)

Amgueddfa Cymru

[No title]

DAYES, Edward

(1793 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

EDWARDS, Sydenham T.

Trwy ganiatâd Amgueddfa Cymru

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

[No title]

Manylion

Collection

Rhif yr Eitem

Creu/Cynhyrchu

Derbyniad

Mesuriadau

Techneg

Deunydd

Lleoliad

Tags

Rhannu

Mwy fel hyn