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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

Mrs. Frances Byng Stamper (left) and her sister Miss Caroline Byng Lucas were important supporters of the visual arts in Wales in the 1930s. Morris's portraits are known for their unflinching scrutiny of character. Not surprisingly the sisters were said to be unhappy with this unflattering portrait. When Morris exhibited the painting in 1979 he called it 'The English Upper Classes'.

MORRIS, Cedric
<p>Mrs. Frances Byng Stamper (left) and her sister Miss Caroline Byng Lucas were important supporters of the visual arts in Wales in the 1930s. Morris's portraits are known for their unflinching scrutiny of character. Not surprisingly the sisters were said to be unhappy with this unflattering portrait. When Morris exhibited the painting in 1979 he called it 'The English Upper Classes'.</p>
Delwedd: © Ystâd Cedric Morris. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
 Chwyddo

Mrs. Frances Byng Stamper (left) and her sister Miss Caroline Byng Lucas were important supporters of the visual arts in Wales in the 1930s. Morris's portraits are known for their unflinching scrutiny of character. Not surprisingly the sisters were said to be unhappy with this unflattering portrait. When Morris exhibited the painting in 1979 he called it 'The English Upper Classes'.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 29292

Creu/Cynhyrchu

MORRIS, Cedric
1889-1982
Rôl: Artist
Cyfnod: 1935

Derbyniad

Purchase - ass. of DWT, Knapping Fund, Silver Society (incl. Jean Thomas bequest), 20/12/2007

Mesuriadau

h(cm) frame:89
h(cm)
w(cm) frame:76.5
w(cm)
Dyfnder (cm): 5.5
Uchder (cm): 76
Lled (cm): 63.5

Techneg

Oil on canvas
Techniques (fine art)
Art dept - fine
Fine Art - painting

Lleoliad

on loan out

Caiff Casgliadau Arlein ei ddiweddaru yn rheolaidd, ond gwnewch yn si’r bod eitem yn dal i gael ei arddangos cyn ymweld yn arbennig.

Mwy

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Rhannu


Mwy fel hyn


Amgueddfa Cymru
<p>"Till recent years a rather common form of the revelry and thanksgiving which have ever taken place at the ingathering of the harvest was the Kern, though it has now died out everywhere except in a few Northumbrian villages.</p> <p>One of the customs of the festival of Ceres, it had many local variations. It was observed in the northern part of Northumberland at the close of the reaping, not the ingathering. Immediately the sickle was laid down and the last sheaf set on end the men shouted that they had "got the kern". Then a curious image was produced – an image dressed in a white frock with coloured ribbons and crowned with corn ears – stuck on a pole, and held aloft by the strongest man of the party while the rest circled round it. Subsequently it was taken to the barn, set on high, and the merrymakers fell to on the harvest supper."</p> <p>Quoted from Sir Benjamin Stone's Pictures: Records Of National Life And History (Cassell, 1904)</p>
Photographer: STONE Benjamin
(1901)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
RICHARDS, Frances
(1973)
© Ystâd Frances Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WYNTER, Bryan
(1945)
© Ystâd Bryan Wynter. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WILSON, Richard CARTER, John
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CRANE, Walter
(1869)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1973)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David
(2008)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
Bowl
Producer: Rie, Lucie
(1980 ca)
© Ystâd the Ystâd yr artist/Ymddiriedolaeth Derek Williams/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PROUT, Samuel
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WRIGHT, J.M.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Mae Richard Long yn eicon yn natblygiad celf gysyniadol. Yn ei waith gwelir newid nodedig yn y dulliau a ddefnyddir gan artistaid i gyfleu’r tirlun. Mae cylchoedd yn elfen gyson yn ei waith, ac yn adlais o gylchoedd cerrig hynafol. Yn y cerflun hwn, casglodd yr artist deilchion llechi o chwarel Llechwedd ym Mlaenau Ffestiniog gan ddod â’r tirlun, yn llythrennol, i’r oriel.</p>
LONG, Richard
(2011)
© Richard Long. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>Individual ceramic panels in the shapes of buses</p>
DAVIES, Ogwyn
© Ogwyn Davies/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WOLFE, Edward
(1926)
© Edward Wolfe/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SHORT, Sir Frank TURNER, Joseph Mallord William (after)
(1920)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SHORT, Sir Frank TURNER, Joseph Mallord William (after)
(19th century (late))
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Gwen
Trwy ganiatâd Amgueddfa Cymru

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