[No title] | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

NASH, David

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 29374

Creu/Cynhyrchu

b. 1945

Rôl: Artist

Cyfnod: 2007

Derbyniad

Purchase

Mesuriadau

h(cm) sheet size:38.2

h(cm)

w(cm) sheet size:56.8

w(cm)

Techneg

Hand stencilled

Lleoliad

In store - verified by CT

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

WILSON, Richard (after) WHESSELL, John

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Mae Peter Prendergast yn adnabyddus am ei dirluniau o ogledd-orllewin Cymru. Yma, mae’n defnyddio dafnau o liw cryf, trwchus wedi eu hamlinellu mewn du. Mae’n cyfuno arddull paentio modernaidd â thirwedd mynyddig a diwydiannol yr ardal.</p>

PRENDERGAST, Peter

(1979)

© Ystâd Peter Prendergast. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: JONES GRIFFITHS, Philip

(1952)

© Philip Jones Griffiths / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

COLLINS, Cecil

(1963)

© Cecil Collins/Amgueddfa Cymru

Amgueddfa Cymru

<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>

Photographer: SCHNEIDERMANN, Clémentine

(2015)

© Clémentine Schneidermann/Amgueddfa Cymru

Amgueddfa Cymru

<p>Roedd Ffrangcon-Davies yn seren chwedlonol ar lwyfannau Prydain yn ystod gyrfa a oedd yn rhychwantu 80 mlynedd. Cafodd ei geni yn Llundain i deulu o dras Gymreig, a gwnaeth ei hymddangosiad cyntaf ar lwyfan yn A Midsummer Night’s Dream ym 1911. Ym 1924, cafodd ei galw yn Juliet orau ei chenhedlaeth, pan berfformiodd gyferbyn â John Gielgud yn rhan Romeo. Chwaraeodd Ffrangcon-Davies lawer o rannau yn nramâu Shakespeare ac ymddangosodd mewn nifer o gynyrchiadau radio a theledu. Cafodd ei gwneud yn Fonesig yr Ymerodraeth Brydeinig pan oedd yn 100 oed. Mae’r portread hynod annwyl hwn, a dynnwyd yn ei chartref, yn dangos ei dwylo enwog llawn mynegiant. Roedd partner hirdymor Gwen, sef Vanne – neu Margaretha ‘Scrappy’ van Hulsteyn – hefyd yn actores lwyddiannus ac yn aelod o’r elît cymdeithasol Affricaneraidd.</p>

Photographer: SINCLAIR, Nicholas

© Nicholas Sinclair. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

(1920-1923)

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: JOYCE, Paul

(1977)

©Paul Joyce/Amgueddfa Cymru

Amgueddfa Cymru

EVANS, Merlyn

(1939)

© Merlyn Oliver Evans/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: PERESS Gilles

(Unknown)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

David Beckham, footballer. London, 1997

Photographer: MARLOW Peter

(1997)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1970)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

WILSON, Richard (after) WHESSELL, John

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHNSON, Nerys

© Ystâd Nerys Johnson/Amgueddfa Cymru

Amgueddfa Cymru

JONES, David

(1926)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

JONES, David

(1924)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Flip Flop 13, Traeth Saadani, Tanzania, 2014

PERRY, Mike

(2014)

© Mike Perry/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURA Sohrab

(2016)

© Sohrab Hura / Magnum Photos / Amguedfa Cymru

Amgueddfa Cymru

JONES, David

(1924)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru