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ROBERTS-JONES, Ivor

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 2878

Creu/Cynhyrchu

ROBERTS-JONES, Ivor

1913-1996

Rôl: Artist

Cyfnod: 20th century - (second half)

Derbyniad

Gift, 14/7/1984

Mesuriadau

Uchder (cm): 30.2

Lled (cm): 19

Dyfnder (cm): 25.6

Uchder (in): 11

Lled (in): 7

Dyfnder (in): 10

Deunydd

Bronze

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

MARKS, Claude

© Claude Marks/VAGA at ARS, NY a DACS, London 2025/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: WILSON, Mo

(1989)

Amgueddfa Cymru

ILLINGWORTH, Leslie

© Leslie Illingworth/Amgueddfa Cymru

Amgueddfa Cymru

<p>Mae Cedric Morris wedi paentio ei bartner Arthur Lett-Haines mewn siwt a het fowler yn cerdded drwy ddinas ryfedd, ddychmygus. Roedd y ddau ar y pryd yn byw ac yn gweithio ym Mharis, a Cedric Morris (a fagwyd ger Abertawe) yn arbrofi â datblygiadau diweddaraf celf fodern.</p>

MORRIS, Cedric

(1923)

© Ystâd Cedric Morris. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BRANCHER, Toril

(2002)

© Toril Brancher/Amgueddfa Cymru

Amgueddfa Cymru

BRANGWYN, Frank William

© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

HALL, Edna Clarke

© Edna Clarke Hall//Gail Clarke HallAmgueddfa Cymru - Museum Wales

Amgueddfa Cymru

MARINOT, Maurice

(1920)

© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

REMBRANDT, Harmensz van Rijn

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Yvonne Fox. Photo shot: Fishguard Bay Hotel, 28th September 1997. Place and date of birth: St David's Pembrokehsire 1954. Main occupation: Warden to the elderly. First language: English. Other languages: Welsh. Lived in Wales: Always.</p> <p>Born in Fishguard in 1954, Yvonne Fox has recounted the tale of Jemima Nichols - the Welsh-woman who, traditionally, fought off the last invaders of the British Isles, French soldiers, with a pitchfork in 1791 - for the local tourist board for many years.</p>

Photographer: HURN David

(1997)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1957)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1979)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Dorelia McNeill yn yr Ardd yn Alderney Manor

JOHN, Augustus

(1911)

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1997)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: DEWE MATHEWS Chloe

(2017)

© Chloe Dewe Mathews/Amgueddfa Cymru

Amgueddfa Cymru

TAVERNER, William

(18th century)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>

Photographer: SCHNEIDERMANN, Clémentine

(2016)

© Clémentine Schneidermann/Amgueddfa Cymru