[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

STEELE, Jeffrey (Publisher)

Editions Média, Switzerland (Publisher)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 23201

Creu/Cynhyrchu

STEELE, Jeffrey

1931-2021

Editions Média, Switzerland

Publishers

Rôl: Artist

Rôl: Publisher

Cyfnod: 1978

Derbyniad

Gift, 4/3/2002

Mesuriadau

Uchder (cm): 46.6

Lled (cm): 70.4

Techneg

Screenprint on paper

Deunydd

Ink

Paper

Lleoliad

In store - verified by CT

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: HURN David

(1979)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

ROUAULT, Georges lL'Éoile Filante, Paris Aulard, Paris

(1922)

© ADAGP, Paris a DACS, London 224/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>During the Northern Ireland riots in 1971, Don McCullen, working for the 'The Sunday Times Magazine' was assigned to cover Londonderry. This black and white photograph is one of three shots taken within moments of each other, which were later published as a sequence. This moving document illustrates a police assault under the gaze of terrified civilians in the intimate neighborhood of Londonderry.</p>

Photographer: Don, McCULLIN

(1971)

© Don Mccullin/Amgueddfa Cymru

Amgueddfa Cymru

Afon Tafwys yn Llundain

MONET, Claude

(1871)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

WILSON, Richard (after) WHESSELL, John

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: JOYCE, Paul

©Paul Joyce/Amgueddfa Cymru

Amgueddfa Cymru

Alexander, McPHERSON

(1977)

© Alexander Mcpherson/Amgueddfa Cymru

Amgueddfa Cymru

CLAUDE Gellée, Le Lorrain EARLOM, R Boydell, John

(1774)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

DRURY, Paul

(1926)

© Paul Drury/Amgueddfa Cymru

Amgueddfa Cymru

LORRAIN, Claude LEWIS, Fredrick Christian

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

RIGAUD, Stephen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

BROCKHURST, Gerald

© Gerald Brockhurst/Amgueddfa Cymru

Amgueddfa Cymru

SANDYS, Frederick

(1872)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

LEACH, Bernard

(1909)

© The Bernard Leach Family. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru